Keith McMillen On The QuNexus And Why New Music Needs New Instruments

keith-mcmillenKeith McMillen has been exploring new ideas for electronic music instruments for nearly 35 years, starting in 1979 with his company Zeta Music and more recently with Keith McMillen Instruments. His most recent creations are the QuNeo and the just-released QuNexus controllers.

Synthtopia’s Elisabeth Lewin talked with McMillen about development of the QuNeo and QuNexus controllers in part 1 of our Keith McMillen interview. In part 2, McMillen answers some reader’s questions on his instruments, discusses the state of MIDI, talks about performing with his own group and more.

qunexus-keyboardSynthtopia: One of our readers asked, “What synths or software synths do you recommend using with your QuNexus controller?”

Keith McMillen: What synths? You know, we kind of passed on that by supporting all synths. We put in CV support and you can plug a MIDI expander into it, too.

Musicians are pack rats, a lot of them don’t ever throw or give any instrument away. And there’s a big resurgence in CV synthesis. And I think that people work differently if they have knobs and sliders and a bunch of patch cords in front of them.

For me, I don’t really have a preference for which synth people use with QuNexus. I think that there’s value in pretty much every version of synth that’s come out.

Synthtopia: That’s a really diplomatic answer.

Keith McMillen: (Laughs) That’s treacherous. I didn’t want to step in that one.

Synthtopia: You dodged that handily! Okay. Another Synthtopia reader asked when or whether there’ll be a Max developer kit for the QuNeo.

Keith McMillen: We are producing a developer kit for the QuNeo. It’s progressing and I expect something to be available within months. Continue reading

Dave Smith Instruments Tempest Gets OS Update

Dave Smith Instruments Tempest drum machineDave Smith Instruments has release a new OS for the Tempest analog drum machine.

Here’s what’s new:

New Features:

  • Playlist playback and live recording added
  • MIDI remote pad play and sound/beat/mutes triggers added
  • Undo/Revert sound function added
  • Huge change in sequencer code, improving latency and many timing related features
  • Polyphonic pad pressure handing implemented in 16 tunings/levels
  • System menu navigation improved
  • Improved voice stealing algorithm
  • Added pad calibration routine

Continue reading

Are Musicians Getting Too Cheap To Pay For Great Synths?

The Schmidt Analog SynthesizerComposer and sound designer Edmund Eagan has posted an article today at Sonic State, lamenting that electronic instruments are getting cheaper and cheaper, rather than better and better, and that instruments are becoming distractions rather than inspirations.

First Eagen discusses how inspiring he found the Schmidt eight-voice polyphonic synth:

I attended the recent MusikMesse trade show… and….I had the chance to spend some quality time with the Schmidt eight voice polyphonic synthesizer.

In the very short time I explored the instrument, I do know that the Schmidt is an example of a synthesizer that I could dedicate time to, serious musically laden exploration time, and for me that dedication of time is the most valuable asset that I could invest.

But then he notes that the no one is making or buying synths like the Schmidt: Continue reading

Free Integra-7 Plugin For Mac Integrates With Your DAW

integra-7-mac

Roland has released a free Integra-7 Editor for Mac.

The Roland Integra-7 is the company’s flagship sound module, offering 6,000+ presets, 16 parts and Roland’s latest synthesis technologies.

The new Editor provides visual control of the INTEGRA-7 parameters. A VST instrument (VSTi) version and an Audio Units (AU) version are both available, integrating the INTEGRA-7 into your Mac-based DAW for rapid workflow and instant recall.

See the Roland site for additional details.

Conrad Tao’s ‘iridescence’, For Piano & iPad

This video captures a performance by Conrad Tao of his work, iridescence, for piano and iPad.

The composition, from 18-year-old American pianist/composer Tao’s debut album Voyages, features the Reactable Mobile app on his Apple iPad. In the piece, Reactable is used for both synth lines and real-time processing of his piano playing, via the iPad microphone.

The work manages to bridge the electroacoustic tradition of classical electronic music and the genre-making ambient work of Brian Eno and Harold Budd. It also is a great demonstration of the possibilities of inexpensive music apps, in creative hands.

Most of all, though, Tao’s work is interesting as a performance, which is too rare in both electroacoustic and ambient music.

Here’s some background on the composition: Continue reading