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Gregory Kyryluk (Alpha Wave Movement) Composer and arranger Gregory Kyryluk has been composing music since acquiring his first professional keyboard, a Moog synthesizer, back in the early 1980s. Primarily a self-taught musician, Gregory has recorded as Alpha Wave Movement since 1992.

According to Kyryluk, Alpha Wave Movement’s musical style can be considered an amalgam of classic 1970s period German style electronic music, otherwise known as Berlin-school, and the ambient aesthetics of Brian Eno, John Serrie and Steve Roach.

Alpha Wave Movement’s music is all electronic-based, utilizing digital synthesizers and MIDI to create its sonic explorations. Aside from the musical influences, Kyryluk says that nature and natural landscapes are a continuous source of inspiration for his compositions.

Alpha Wave Movement has performed at the Ambient Ping Canada and at the Gathering Room USA, and has released music on the Dutch label Groove Unlimited, Silent Records (USA), Waveform Records (USA), Spiralight (USA) and on the private label Harmonic Resonance Recordings. Alpha Wave Movement’s other projects include Thought Guild, Open Canvas, and solo releases.

Kyryluk recently released a DVD entitled Terra, which features ambient music and images of the natural landscapes of New Zealand. The DVD video was made via a collaborative effort with electronic musician Rudy Adrian.

Here’s a video that features music from Kyryluk’s Alpha Wave Movement release, A Distant Signal, paired with space images:

You can find out more about Kyryluk and his music at the Alpha Wave Movement site.

Discography

  • Transcendence (1995)
  • The Edge of Infinity (1997)
  • Concept of Motion (1998)
  • Drifted Into Deeper Lands (2000)
  • Bislama (2000)
  • A Distant Signal (2002)
  • Cosmology (2003)
  • Beyond Silence (2005)
  • The Regions Between (2007)
  • The Mystic & The Machine (2007)

Compilations

  • From Here To Tranquility 4 (1994)
  • The Truth is Twisted (1997)
  • Lektronic Soundscapes #2 (1998)
  • The Other World 2 (1998)
  • Sequences Magazine #26 (2000)
  • Margen Magazine Spain (2003)
  • Sequences Magazine 2003 Anniversary (2003)
  • Ambienism (2003)
  • Ping Ambience 2 (2004)

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      When Mozart was composing at the end of the eighteenth century, the city of Vienna was so quiet that fire alarms could be given verbally, by a shouting watchman mounted on top of St. Stefan’s Cathedral. In twentieth-century society, the noise level is such that it keeps knocking our bodies out of tune and out of their natural rhythms. This ever-increasing assault of sound upon our ears, minds, and bodies adds to the stress load of civilized beings trying to live in a highly complex environment. — Stephen Halpern

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