Michael S. Schneider, author of A Beginner’s Guide To Constructing The Universe, has published an interesting analysis of the Amen Break (probably the most important sample ever).

In his analysis, the Amen Break may be popular because of the way the Golden Ratio is found it the break’s timing:

Having looked at the geometry of the Golden Ratio a great deal, and its expressions in worldwide art, I have a decent sense of its place along a line. The Amen Break had that feel. For a quick check I used homemade Golden Ratio calipers to examine the peaks. Indeed, peaks pop up at Golden Ratio intervals, as do smaller peaks within them, reminsicent of the fractal structures in nature.

For more exact visual analysis I examined the wave image in my computer, in which I have a palatte of geometric forms and proportions for quickly identifying an object’s ratios. Sure enough, Golden Ratio relationships were indicated among the different peaks. Am I seeing things? You decide. But the appearance of the Golden Ratio may help explain its popularity.

The major wave peaks of the Amen Break, and many of its smaller ones, seem reasonably close to being an expression of the fractal nature of the wonderful Golden Ratio. I wonder what it would sound like if it was more precisely proportioned to the ideal, but I also know that slight differences are what make it human and alive.

What do you think? Is the Golden Ration behind the popularity of the Amen Break, or is this a bunch of intellectual wankery?