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	<title>Comments on: Has The Detroit Electronic Music Festival (Movement) Been Whitewashed?</title>
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	<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/</link>
	<description>Synthesizer and electronic music news, synth and music software reviews and more!</description>
	<lastBuildDate>Sun, 22 Nov 2009 06:52:52 -0500</lastBuildDate>
	
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		<title>By: fleedermouse</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-137630</link>
		<dc:creator>fleedermouse</dc:creator>
		<pubDate>Mon, 01 Jun 2009 15:21:38 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-137630</guid>
		<description>was Benassi like the line-crosser or was that just a random &#039;main-stream&#039; dude you chose to reference? no disrespect, I&#039;m just wondering.  my friend said after his set: &quot;good taste in music but he&#039;s got no skills&quot; At least he didn&#039;t show any there. Anyway, he was fun, I wouldn&#039;t rush back out to see him but the DEMF gave me the opportunity to figure that out for myself. I saw alot of music and alot of local talent at all kinds of afterparties. I actually considered not going to the actual event in lieu of all the other options but I&#039;m glad I went because I got even more diversity that way. </description>
		<content:encoded><![CDATA[<p>was Benassi like the line-crosser or was that just a random &#039;main-stream&#039; dude you chose to reference? no disrespect, I&#039;m just wondering.  my friend said after his set: &quot;good taste in music but he&#039;s got no skills&quot; At least he didn&#039;t show any there. Anyway, he was fun, I wouldn&#039;t rush back out to see him but the DEMF gave me the opportunity to figure that out for myself. I saw alot of music and alot of local talent at all kinds of afterparties. I actually considered not going to the actual event in lieu of all the other options but I&#039;m glad I went because I got even more diversity that way.</p>
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		<title>By: fleedermouse</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-137626</link>
		<dc:creator>fleedermouse</dc:creator>
		<pubDate>Mon, 01 Jun 2009 15:10:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-137626</guid>
		<description>Wow, alot of issues here. just skip to my 2nd to last stanza at the bottom if ur as impatient as me haha. or alternatively, what Chaircrusher said  
  
I grew up in a white-washed suburb of Detroit and have lived in Oregon for a while and now on the west coast of Michigan. I moved out to Oregon the year the DEMF started and just attended my first one so it is hard to imagine what those first few were like but all I can say is I had a GREAT time last weekend. I saw more black and white people hanging together in Detroit than I ever saw in the 90&#039;s. This is actually pitiful and encouraging at the same time but my vantage point tells me that things are changing. I saw Seth Troxler and hung w his parents during his festival set and I think he&#039;s originally from K-zoo or something. I met alot of Europeans just looking for a good time and to experience downtown Detroit and the place/environment that spawned Techno (I tried to tell them that to do that, they really had to go to the Bellville strawberry fest haha bad joke) There&#039;s a whole other thing that should be exploited during the fest. There should be some sort of educational exhibit for the masses who don&#039;t know the basics and for the party-people who don&#039;t know the details. Maybe a little set-up just inside the fest gates with a follow-up deal at the African American History Museum?    
   
Dude Bad Boy was shouting &quot;Chi-town&quot; and we are bringing it back &quot;DETROIT&quot; while I think Derek or Saunderson or something is spinning in the background. How cool is that? Alot of musical history between these two cities and fun to watch a commercially-successful scratch master from across the lake have a little fun with it live in the middle of the western conference semi-finals esp. since we were about to eliminate those little hawk b&#039;s.  Real good mix of everything at this fest and the after parties. Maybe we need to have a better network of getting more of the international attendees to experience the great array of more cutting edge or local after party events as well. Choosing those can be overwhelming to anybody.   
  
Man I love this topic but nut-shell time, DEMF/Movement is sweet, keep it going, let&#039;s see what Carl can bring next year. By all means bring out more Michigan/D-town talent and showcase our local sound to whoever shows up but not at the expense keeping it real because we all know what happens when keeping it real goes wrong. 
 
Hey Carl, if you are reading, bring back the Glitch Mob and Mr. Z-trip (this is bigger than hip-hop hip-hop hip-hop) who just came right on out and said F that building to the fortress of Ren-Cen. Those guys had it going on. While you&#039;re at it bring in a freestyle rap contest or something and mix up everything it is called &quot;MOVEMENT&quot; right? </description>
		<content:encoded><![CDATA[<p>Wow, alot of issues here. just skip to my 2nd to last stanza at the bottom if ur as impatient as me haha. or alternatively, what Chaircrusher said  </p>
<p>I grew up in a white-washed suburb of Detroit and have lived in Oregon for a while and now on the west coast of Michigan. I moved out to Oregon the year the DEMF started and just attended my first one so it is hard to imagine what those first few were like but all I can say is I had a GREAT time last weekend. I saw more black and white people hanging together in Detroit than I ever saw in the 90&#039;s. This is actually pitiful and encouraging at the same time but my vantage point tells me that things are changing. I saw Seth Troxler and hung w his parents during his festival set and I think he&#039;s originally from K-zoo or something. I met alot of Europeans just looking for a good time and to experience downtown Detroit and the place/environment that spawned Techno (I tried to tell them that to do that, they really had to go to the Bellville strawberry fest haha bad joke) There&#039;s a whole other thing that should be exploited during the fest. There should be some sort of educational exhibit for the masses who don&#039;t know the basics and for the party-people who don&#039;t know the details. Maybe a little set-up just inside the fest gates with a follow-up deal at the African American History Museum?    </p>
<p>Dude Bad Boy was shouting &quot;Chi-town&quot; and we are bringing it back &quot;DETROIT&quot; while I think Derek or Saunderson or something is spinning in the background. How cool is that? Alot of musical history between these two cities and fun to watch a commercially-successful scratch master from across the lake have a little fun with it live in the middle of the western conference semi-finals esp. since we were about to eliminate those little hawk b&#039;s.  Real good mix of everything at this fest and the after parties. Maybe we need to have a better network of getting more of the international attendees to experience the great array of more cutting edge or local after party events as well. Choosing those can be overwhelming to anybody.   </p>
<p>Man I love this topic but nut-shell time, DEMF/Movement is sweet, keep it going, let&#039;s see what Carl can bring next year. By all means bring out more Michigan/D-town talent and showcase our local sound to whoever shows up but not at the expense keeping it real because we all know what happens when keeping it real goes wrong. </p>
<p>Hey Carl, if you are reading, bring back the Glitch Mob and Mr. Z-trip (this is bigger than hip-hop hip-hop hip-hop) who just came right on out and said F that building to the fortress of Ren-Cen. Those guys had it going on. While you&#039;re at it bring in a freestyle rap contest or something and mix up everything it is called &quot;MOVEMENT&quot; right?</p>
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		<title>By: fleedermouse</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-137625</link>
		<dc:creator>fleedermouse</dc:creator>
		<pubDate>Mon, 01 Jun 2009 15:04:16 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-137625</guid>
		<description>Wow, alot of issues here. just skip to my last stanza at the bottom if ur as impatient as me haha. or alternatively, what Chaircrusher said 
 
I grew up in a white-washed suburb of Detroit and have lived in Oregon for a while and now on the west coast of Michigan. I moved out to Oregon the year the DEMF started and just attended my first one so it is hard to imagine what those first few were like but all I can say is I had a GREAT time last weekend. I saw more black and white people hanging together in Detroit than I ever saw in the 90&#039;s. This is actually pitiful and encouraging at the same time but my vantage point tells me that things are changing. I saw Seth Troxler and hung w his parents during his festival set and I think he&#039;s originally from K-zoo or something. I met alot of Europeans just looking for a good time and to experience downtown Detroit and the place/environment that spawned Techno (I tried to tell them that to do that, they really had to go to the Bellville strawberry fest haha bad joke) There&#039;s a whole other thing that should be exploited during the fest. There should be some sort of educational exhibit for the masses who don&#039;t know the basics and for the party-people who don&#039;t know the details. Maybe a little set-up just inside the fest gates with a follow-up deal at the African American History Museum?   
  
Dude Bad Boy was shouting &quot;Chi-town&quot; and we are bringing it back &quot;DETROIT&quot; while I think Derek or Saunderson or something is spinning in the background. How cool is that? Alot of musical history between these two cities and fun to watch a commercially-successful scratch master from across the lake have a little fun with it live in the middle of the western conference semi-finals esp. since we were about to eliminate those little hawk b&#039;s.  Real good mix of everything at this fest and the after parties. Maybe we need to have a better network of getting more of the international attendees to experience the great array of more cutting edge or local after party events as well. Choosing those can be overwhelming to anybody.  
 
Man I love this topic but nut-shell time, DEMF/Movement is sweet, keep it going, let&#039;s see what Carl can bring next year. By all means bring out more Michigan/D-town talent and showcase our local sound to whoever shows up but not at the expense keeping it real because we all know what happens when keeping it real goes wrong. 
 </description>
		<content:encoded><![CDATA[<p>Wow, alot of issues here. just skip to my last stanza at the bottom if ur as impatient as me haha. or alternatively, what Chaircrusher said </p>
<p>I grew up in a white-washed suburb of Detroit and have lived in Oregon for a while and now on the west coast of Michigan. I moved out to Oregon the year the DEMF started and just attended my first one so it is hard to imagine what those first few were like but all I can say is I had a GREAT time last weekend. I saw more black and white people hanging together in Detroit than I ever saw in the 90&#039;s. This is actually pitiful and encouraging at the same time but my vantage point tells me that things are changing. I saw Seth Troxler and hung w his parents during his festival set and I think he&#039;s originally from K-zoo or something. I met alot of Europeans just looking for a good time and to experience downtown Detroit and the place/environment that spawned Techno (I tried to tell them that to do that, they really had to go to the Bellville strawberry fest haha bad joke) There&#039;s a whole other thing that should be exploited during the fest. There should be some sort of educational exhibit for the masses who don&#039;t know the basics and for the party-people who don&#039;t know the details. Maybe a little set-up just inside the fest gates with a follow-up deal at the African American History Museum?   </p>
<p>Dude Bad Boy was shouting &quot;Chi-town&quot; and we are bringing it back &quot;DETROIT&quot; while I think Derek or Saunderson or something is spinning in the background. How cool is that? Alot of musical history between these two cities and fun to watch a commercially-successful scratch master from across the lake have a little fun with it live in the middle of the western conference semi-finals esp. since we were about to eliminate those little hawk b&#039;s.  Real good mix of everything at this fest and the after parties. Maybe we need to have a better network of getting more of the international attendees to experience the great array of more cutting edge or local after party events as well. Choosing those can be overwhelming to anybody.  </p>
<p>Man I love this topic but nut-shell time, DEMF/Movement is sweet, keep it going, let&#039;s see what Carl can bring next year. By all means bring out more Michigan/D-town talent and showcase our local sound to whoever shows up but not at the expense keeping it real because we all know what happens when keeping it real goes wrong.</p>
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		<title>By: fleedermouse</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-137623</link>
		<dc:creator>fleedermouse</dc:creator>
		<pubDate>Mon, 01 Jun 2009 14:54:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-137623</guid>
		<description>Wow, alot of issues here. just skip to my last stanza at the bottom if ur as impatient as me haha. 
 
I grew up in a white-washed suburb of Detroit and have lived in Oregon for a while and now on the west coast of Michigan. I moved out to Oregon the year the DEMF started and just attended my first one so it is hard to imagine what those first few were like but all I can say is I had a GREAT time last weekend. I saw more black and white people hanging together in Detroit than I ever saw in the 90&#039;s. This is actually pitiful and encouraging at the same time but my vantage point tells me that things are changing. I saw Seth Troxler and hung w his parents during his festival set and I think he&#039;s originally from K-zoo or something. I met alot of Europeans just looking for a good time and to experience downtown Detroit and the place/environment that spawned Techno (I tried to tell them that to do that, they really had to go to the Bellville strawberry fest haha bad joke) There&#039;s a whole other thing that should be exploited during the fest. There should be some sort of educational exhibit for the masses who don&#039;t know the basics and for the party-people who don&#039;t know the details. Maybe a little set-up just inside the fest gates with a follow-up deal at the African American History Museum?  
 
Dude Bad Boy was shouting &quot;Chi-town&quot; and we are bringing it back &quot;DETROIT&quot; while I think Derek or Saunderson or something is spinning in the background. How cool is that? Alot of musical history between these two cities and fun to watch a commercially-successful scratch master from across the lake have a little fun with it live in the middle of the western conference semi-finals esp. since we were about to eliminate those little hawk b&#039;s.  
 
 
Man I love this topic but nut-shell time, DEMF/Movement is sweet, keep it going, let&#039;s see what Carl can bring next year. By all means bring out more Michigan/D-town talent and showcase our local sound to whoever shows up but not at the expense keeping it real because we all know what happens when keeping it real goes wrong. </description>
		<content:encoded><![CDATA[<p>Wow, alot of issues here. just skip to my last stanza at the bottom if ur as impatient as me haha. </p>
<p>I grew up in a white-washed suburb of Detroit and have lived in Oregon for a while and now on the west coast of Michigan. I moved out to Oregon the year the DEMF started and just attended my first one so it is hard to imagine what those first few were like but all I can say is I had a GREAT time last weekend. I saw more black and white people hanging together in Detroit than I ever saw in the 90&#039;s. This is actually pitiful and encouraging at the same time but my vantage point tells me that things are changing. I saw Seth Troxler and hung w his parents during his festival set and I think he&#039;s originally from K-zoo or something. I met alot of Europeans just looking for a good time and to experience downtown Detroit and the place/environment that spawned Techno (I tried to tell them that to do that, they really had to go to the Bellville strawberry fest haha bad joke) There&#039;s a whole other thing that should be exploited during the fest. There should be some sort of educational exhibit for the masses who don&#039;t know the basics and for the party-people who don&#039;t know the details. Maybe a little set-up just inside the fest gates with a follow-up deal at the African American History Museum?  </p>
<p>Dude Bad Boy was shouting &quot;Chi-town&quot; and we are bringing it back &quot;DETROIT&quot; while I think Derek or Saunderson or something is spinning in the background. How cool is that? Alot of musical history between these two cities and fun to watch a commercially-successful scratch master from across the lake have a little fun with it live in the middle of the western conference semi-finals esp. since we were about to eliminate those little hawk b&#039;s.  </p>
<p>Man I love this topic but nut-shell time, DEMF/Movement is sweet, keep it going, let&#039;s see what Carl can bring next year. By all means bring out more Michigan/D-town talent and showcase our local sound to whoever shows up but not at the expense keeping it real because we all know what happens when keeping it real goes wrong.</p>
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		<title>By: chaircrusher</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-137100</link>
		<dc:creator>chaircrusher</dc:creator>
		<pubDate>Wed, 27 May 2009 19:13:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-137100</guid>
		<description>I read Frank&#039;s analysis when he first posted it.  It raises valid questions, but that is all it does.  The problem with DEMF is that there are a number of goals that need to be satisfied for a more perfect festival: 
 
Attendence is important for the continued existence of the festival. That means artists beyond the proponents of &#039;pure&#039; Detroit Techno need to be invited.  BUT if Paxahau goes too far in that direction, then DEMF will become just another generic event, and lose its unique Detroit character. 
 
The festival&#039;s lineup should reflect the cutting edge of dance music, meaning that it has a role in educating audiences by exposing them to things they might not know already, BUT if the lineup is too left field, it will cease to appeal to a broad enough audience.  Readers of &quot;Wire&quot; magazine at the festival are probably outnumbered by raver kids about 500 to 1. 
 
Part of the essential character of Detroit dance music culture is that it has always been eclectic, and incorporated musical influences from all over the globe. Furthermore, very soon after the first artists began making the records that came to be known as techno, the music itself became a global phenomenon.  
 
Those of us who are regular attendees are quite excited about Carl Craig being music director for next year.  The years he was in charge had superlative lineups that brought an eclectic variety of music into the Detroit Techno tent.  I trust Carl to strike a perfect balance between the OG and the new, the experimental and the mainstream.  No way he or anyone else will make everyone 100% happy, but given some of Paxahau&#039;s dodgier choices over the past few years, I think he may come close. 
 </description>
		<content:encoded><![CDATA[<p>I read Frank&#039;s analysis when he first posted it.  It raises valid questions, but that is all it does.  The problem with DEMF is that there are a number of goals that need to be satisfied for a more perfect festival: </p>
<p>Attendence is important for the continued existence of the festival. That means artists beyond the proponents of &#039;pure&#039; Detroit Techno need to be invited.  BUT if Paxahau goes too far in that direction, then DEMF will become just another generic event, and lose its unique Detroit character. </p>
<p>The festival&#039;s lineup should reflect the cutting edge of dance music, meaning that it has a role in educating audiences by exposing them to things they might not know already, BUT if the lineup is too left field, it will cease to appeal to a broad enough audience.  Readers of &quot;Wire&quot; magazine at the festival are probably outnumbered by raver kids about 500 to 1. </p>
<p>Part of the essential character of Detroit dance music culture is that it has always been eclectic, and incorporated musical influences from all over the globe. Furthermore, very soon after the first artists began making the records that came to be known as techno, the music itself became a global phenomenon.  </p>
<p>Those of us who are regular attendees are quite excited about Carl Craig being music director for next year.  The years he was in charge had superlative lineups that brought an eclectic variety of music into the Detroit Techno tent.  I trust Carl to strike a perfect balance between the OG and the new, the experimental and the mainstream.  No way he or anyone else will make everyone 100% happy, but given some of Paxahau&#039;s dodgier choices over the past few years, I think he may come close.</p>
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		<title>By: Benjamin</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-137043</link>
		<dc:creator>Benjamin</dc:creator>
		<pubDate>Mon, 25 May 2009 17:46:08 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-137043</guid>
		<description>Eh, I think the people talking about quotas are not looking at this situation correctly.  I think the question is about cultural appropriation as well as who the target audience is.  No one is saying that there should be a racial quota on this event or anything like that, but instead, it should be taken into consideration when deciding who to let play at the event, the price, the vendors etc.  The history of Detroit techno is lush with a racially diverse group of performers, and because of this it is refreshing to know that the stereotype of electronic music as being something only middle class white kids listen to when they can scrounge up enough cash to buy some pills to go to a show, is false. On the other hand, watching the above video clearly demonstrates that the lineup was not necessarily geared toward Detroit artists, so it doesn&#039;t surprise me that fewer black people came, because it is likely that fewer people in Detroit came, and more folks from the rest of the region filled in the gaps.  I don&#039;t know...it would just seem to be a shame for the reason that everything else in Detroit has sold itself off to somewhere else, whether it be jobs, factories, or otherwise; to see an entire cultural identity vanish because some promoters wanted to keep an event popular rather than genuine would be (another) disgrace to the people of Detroit.  I mean seriously this thing has been going on for eight years now, do they really think they need to let Benny Benassi play just to keep people coming?  My two cents i guess. </description>
		<content:encoded><![CDATA[<p>Eh, I think the people talking about quotas are not looking at this situation correctly.  I think the question is about cultural appropriation as well as who the target audience is.  No one is saying that there should be a racial quota on this event or anything like that, but instead, it should be taken into consideration when deciding who to let play at the event, the price, the vendors etc.  The history of Detroit techno is lush with a racially diverse group of performers, and because of this it is refreshing to know that the stereotype of electronic music as being something only middle class white kids listen to when they can scrounge up enough cash to buy some pills to go to a show, is false. On the other hand, watching the above video clearly demonstrates that the lineup was not necessarily geared toward Detroit artists, so it doesn&#039;t surprise me that fewer black people came, because it is likely that fewer people in Detroit came, and more folks from the rest of the region filled in the gaps.  I don&#039;t know&#8230;it would just seem to be a shame for the reason that everything else in Detroit has sold itself off to somewhere else, whether it be jobs, factories, or otherwise; to see an entire cultural identity vanish because some promoters wanted to keep an event popular rather than genuine would be (another) disgrace to the people of Detroit.  I mean seriously this thing has been going on for eight years now, do they really think they need to let Benny Benassi play just to keep people coming?  My two cents i guess.</p>
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		<title>By: Gary</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-136888</link>
		<dc:creator>Gary</dc:creator>
		<pubDate>Sat, 23 May 2009 19:03:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-136888</guid>
		<description>This has grown into one of the largest and best techno-fests in the world. Please read my Examiner article and get links to all of the music and videos of this great electronic music event.  
&lt;a href=&quot;http://www.examiner.com/examiner/x-3080-Detroit-Entertainment-News-Examiner~y2009m5d23-Movement-2009-Electronic-Music-Festival-returns-to-Hart-Plaza-this-weekend&quot; target=&quot;_blank&quot;&gt;http://www.examiner.com/examiner/x-3080-Detroit-E...&lt;/a&gt; </description>
		<content:encoded><![CDATA[<p>This has grown into one of the largest and best techno-fests in the world. Please read my Examiner article and get links to all of the music and videos of this great electronic music event.<br />
<a href="http://www.examiner.com/examiner/x-3080-Detroit-Entertainment-News-Examiner~y2009m5d23-Movement-2009-Electronic-Music-Festival-returns-to-Hart-Plaza-this-weekend" target="_blank"></a><a href="http://www.examiner.com/examiner/x-3080-Detroit-E.." rel="nofollow">http://www.examiner.com/examiner/x-3080-Detroit-E..</a>.</p>
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		<title>By: arjun</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-136804</link>
		<dc:creator>arjun</dc:creator>
		<pubDate>Fri, 22 May 2009 18:08:50 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-136804</guid>
		<description>That seems to be Paxahau&#039;s strategy - but they have multiple stages and get a lot of quirkier asks exposure, too.  </description>
		<content:encoded><![CDATA[<p>That seems to be Paxahau&#039;s strategy &#8211; but they have multiple stages and get a lot of quirkier asks exposure, too.</p>
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		<title>By: Matt Dibble</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-136802</link>
		<dc:creator>Matt Dibble</dc:creator>
		<pubDate>Fri, 22 May 2009 17:57:49 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-136802</guid>
		<description>I think that the goal of DEMF should be to bring in the type of crowd that can help sustain the festival. Period. </description>
		<content:encoded><![CDATA[<p>I think that the goal of DEMF should be to bring in the type of crowd that can help sustain the festival. Period.</p>
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		<title>By: modeless</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-136799</link>
		<dc:creator>modeless</dc:creator>
		<pubDate>Fri, 22 May 2009 17:05:19 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-136799</guid>
		<description>i attended the first 4 years and the last 2. i think breaking down the festivals history into percentage of black performers is simplifying the transformations this festival has undergone over the years. fords involvement, the carl craig scandal over creative control or even credit. the mainstream debacle that occurred after that point with acts like parliament fundaleics headlining, while black performers it packed hart plaza full of suburban kids who were not necessarily there to support detroit techno or detroit artists black or white. and in recent years going from a free event to not, albiet very inexpensive. 
 
personally the years i enjoyed the festibal most are years in which they kept detroit and detroit techno closest. that being said, im a huge fan of detroit techno and it gives me an excuse to go back to detroit, hang with friends and listen to the music that frames my memories of that city. however for the people that live in detroit perhaps they enjoy finally seeing and hearing some acts that they can&#039;t hear every day of the week in the city. it doesnt seem like detroit gets to see its fair share of global artists. </description>
		<content:encoded><![CDATA[<p>i attended the first 4 years and the last 2. i think breaking down the festivals history into percentage of black performers is simplifying the transformations this festival has undergone over the years. fords involvement, the carl craig scandal over creative control or even credit. the mainstream debacle that occurred after that point with acts like parliament fundaleics headlining, while black performers it packed hart plaza full of suburban kids who were not necessarily there to support detroit techno or detroit artists black or white. and in recent years going from a free event to not, albiet very inexpensive. </p>
<p>personally the years i enjoyed the festibal most are years in which they kept detroit and detroit techno closest. that being said, im a huge fan of detroit techno and it gives me an excuse to go back to detroit, hang with friends and listen to the music that frames my memories of that city. however for the people that live in detroit perhaps they enjoy finally seeing and hearing some acts that they can&#039;t hear every day of the week in the city. it doesnt seem like detroit gets to see its fair share of global artists.</p>
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		<title>By: demf fan</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-136798</link>
		<dc:creator>demf fan</dc:creator>
		<pubDate>Fri, 22 May 2009 17:02:29 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-136798</guid>
		<description>sounds suspiciously like hiring quotas? </description>
		<content:encoded><![CDATA[<p>sounds suspiciously like hiring quotas?</p>
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		<title>By: dubd</title>
		<link>http://www.synthtopia.com/content/2009/05/22/has-the-detroit-electronic-music-festival-movement-been-whitewashed/#comment-136792</link>
		<dc:creator>dubd</dc:creator>
		<pubDate>Fri, 22 May 2009 15:34:35 +0000</pubDate>
		<guid isPermaLink="false">http://www.synthtopia.com/content/?p=14368#comment-136792</guid>
		<description>I think bringing in black artist just for the sake of a ratio is silly, but dropping the number of local performers is a bad idea! Keep the detroit by keeping the local performers </description>
		<content:encoded><![CDATA[<p>I think bringing in black artist just for the sake of a ratio is silly, but dropping the number of local performers is a bad idea! Keep the detroit by keeping the local performers</p>
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