SoL consists in generating sounds and visual dynamically through the tracking of the movement of individual spermatozoa of the semen of the performer observed under a digital microscope. The obtaining of the semen is an intrinsic part of the performance.
Details on the work below.
According to 23N!:
When spermatozoa are the ones generating sounds, who is the performer ? Are the spermatozoa the performer or are they already a distinct autonomous living entity ?
Sound of Life is trying to address these questions by limiting the interaction between the performer-creator, as the one who gave birth to the spermatozoa, and the spermatozoa to a minimum. Spermatozoa that enter the field of vision of the microscope are all potential performers and the sounds they generate depends mostly on their movements that are not controlled.
While the act of selecting the candidate spermatozoa can be seen as an action of the performer that limits the freedom of the spermatozoa, it is meant to be done in the case of a staged performance. In the case of an installation, random selection or selection of all moving spermatozoa can be easily implemented instead.
By making the act of obtaining the necessary fresh semen a part of the performance, the artistic creation is voluntary confused with the creation of life. The created life, the spermatozoa, becomes an artistic creator, blurring the border between life and art.
The software behind the performance is put together with the usual experimental electronic music culprits, including OSC, PureData, & Wiimote.
Interesting experimental concept or intellectual wankery? Leave a comment with your thoughts!