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The Suzuki Omnichord – a sort of electronic autoharp – was first released in 1981, and is one of the bizarre electronic instrument that have lives beyond their original intent.

A completely unique design using a harmonic strumplate, directly linked to the chord buttons, meant a beginner could play in tune almost instantly, and a more accomplished musician would be able to accompany himself or another vocalist/soloist.

Instrument evolution saw additional sounds and rhythms, chord sequencer (ideal for composing or accompanying), MIDI, and finally a name change with the introduction of the Qchord.

In the video above, Casey Desmond introduces the Omnichord.

Below, Jolene Sugarbaker, trailer park queen, demonstrates some of instruments kitsch appeal.

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In this last video, ElectricPony demonstrates the various functions of the Suzuki Omnichord.

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Omnichord Resources:

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5 Responses to “The Suzuki Omnichord, With A Demo Video That May Lead To Therapy”  

  1. 1 Geezer Wheezer

    Omni-chord without MIDI ? lame unless you bend it,

    but with MIDI? – it's a lot of fun with your synths imagine if Ms. Desmond had a DSI Prophet 08 in that video – but then the newer versions of the Omni used DSP chips which unfortunately ruel out bending/hacking

  2. 2 synthhead

    So – is the theremin lame without MIDI? Or the Yamaha CS-80? Or a Pro-One?

  3. 3 Casey

    Running the omnichord through dr. scientists sunny day delay pedal is the most heavenly sound I've ever heard and I don't think midi would make that sound any better. :3

    <3<3<3<3

  4. 4 Gordon

    I thought those first few bars were going to lead into a Daniel Lanois song.

  5. 5 Chris

    I recently had the privilege of seeing the band Black Moth Super Rainbow live and along with a cs-50 and a cs- 10 in there arsenal they played there song: Twin of Myself which has omnichord underneath it the whole time. Sounded realllllly great. lots of fun….

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      something to think about

      When Mozart was composing at the end of the eighteenth century, the city of Vienna was so quiet that fire alarms could be given verbally, by a shouting watchman mounted on top of St. Stefan’s Cathedral. In twentieth-century society, the noise level is such that it keeps knocking our bodies out of tune and out of their natural rhythms. This ever-increasing assault of sound upon our ears, minds, and bodies adds to the stress load of civilized beings trying to live in a highly complex environment. — Stephen Halpern

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