The fourth annual Kyma International Sound Symposium (KISS2012) is scheduled for September 13-16 at St Cloud State University School of the Arts in St Cloud, Minnesota. KISS2012 will include over 24 hours of technical sessions presented by Kyma experts, 9 hours of hands-on labs, and evenings filled with live music and live cinema, showcasing some of the most outstanding work created in Kyma this year.
More than 100 sound designers, composers, performers, film makers, game designers, authors, audio engineers, educators, and students are expected to participate in KISS2012.
Among the topics to be addressed are:
- Sound design for games, film, advertising, and music;
- Live cinema with real time sound tracks;
- New approaches to improvisation and interaction;
- New musical instruments and new approaches to performance, including continuous touch-sensitive keyboards, musical soccer balls, game controllers, treadmills, tablets, and a direct-brain interface!
- Exploring the differences between working in real time vs working in reel time (and the unique benefits of each);
- An in-depth look at what’s new in Kyma and a peek at where Kyma is headed in the near future.
Throughout the four-day event, you’ll be able to explore the latest innovations, features, and real-time controllers for the Kyma Sound Design environment and learn how to optimize your work flow to create amazing new sounds for film, games, music and more. Kyma practitioners are invited to bring their own Sounds to the labs where they can work with Kyma developers and fellow Kyma practitioners to enhance their results.
Before 11 August 2012:
Full (4 days): $140
Single day : $40 (please specify which date you would like to attend)
Student Full (4 days): $80
After 11 August 2012:
Full (4 days): $180
Single day : $60 (please specify which date you would like to attend)
Student Full (4 days): $100
The deadline for discounted registration is August 10, 2012.
Keynote speakers, expert presenters, and topics
Symbolic Sound President Carla Scaletti will start things off with an introduction to sound design in Kyma and an overview of this year’s theme: ‘reel time || real time’. On the last day, she’ll give attendees a tour of what’s new in Kyma.
Joel Chadabe, President of Electronic Music Foundation, author of Electric Sound: The Past and Promise of Electronic Music, Adjunct Professor in Music Technology at NYU, has been teaching and composing with Kyma since 1992. In his keynote address, he’ll discuss composition and sound design with Kyma as a learning and discovery experience. In his words: “Kyma is a kit from which you can connect specific components to make an instrument. It’s your instrument. And it does what you want it to do. I’ll talk about designing an instrument and how the design and the nature of interdependent variables, fly-by-wire and dynamic control hierarchies, and interaction affect what you do (and, by the way, what do we mean by ‘interaction’?).”
British composer and sound engineer Greg Hunter is perhaps best known for his production work with The Orb and Youth and as a composer of electronic world music and contributor to the scores for Matrix Reloaded and Matrix Revolutions. Currently writing a book on audio engineering, Greg will share some of the secrets he has learned during his career as remixer and producer: “In the 21st century, the distinction between composer and sound engineer has become very blurred. Most modern composers do not have the time or inclination to become professional sound engineers, yet an understanding of these skills is very important for creating music and designing sound.”
More than 30 expert presenters from eight countries will be on hand, among them London-based sound designer and master of morphing Pete Johnston; Mike Johnson, senior sound designer at Blizzard (World of Warcraft-Cataclysm, Diablo III, and other titles); Rudi Giot, director of the Belgian ISB EEG Brain Computer Interface project; Edmund Eagan, Canadian film composer and Continuum fingerboard virtuoso; Jeffrey Stolet, author of Kyma and the Sum of Sines Disco Club.
For the complete list of expert presenters, performers, and composers, please see the preliminary program.