Based on the press info for Atomium, Bartos is not straying too far from classic Kraftwerk themes or sounds:
No other edifice in Europe symbolizes the rise and fall of atomic power quite as dramatically as the Atomium. This gigantic model of an iron crystal, erected for the 1958 World’s Fair in Brussels, finds its musical voice on the first single lifted from the new Karl Bartos album.
But what does iron crystal music sound like? The Ex-Kraftwerk member combines variable metrics and intelligent rhythmicity with calculated noise and the elegant weightlessness of his melodies – neoclassicism meets avant-garde electronica.
Here’s the audio preview of Atomium:
Here’s the official blurb on Bartos’ new album:
OFF THE RECORD – THE ALBUM
For Off the Record, Karl Bartos has opened up his music archive for the very first time. He rediscovered and analysed hundreds of tapes, piles of sheet music, and years of digital media. Inspired by his acoustic diary and adding his experience as a composer and producer, he has created twelve brand new songs β written and performed with masterly skill.
It took him two years to accomplish this original Bartos album: iron crystal music, vocoder newspeak, robot sounds, digital glitch, techno pop, catchy melodies, electronic avant-garde, roaring silence, futurism, and, of course, those rhythms! Rhythms of brutal minimalistic impact as found on the much-sampled Numbers recorded three decades ago and described by Mike Banks of Underground Resistance as “the secret code of electronic funk.”
Off The Record is scheduled for a March 2013 release. Atomium will be the first singel. Bartos is also planning a 2013 concert tour. See his site for more info.