Here’s what Ryle has to say about the technical details behind the performance:
Modular synth for the bass line, percussion and a 16th note octave sequence.
The Oberheim/Dave Smith OB6 for a starting arpeggio, the Roland System 8 for some bridge chords and the Behringer DeepMind 12 for reverb-drenched chorus chords.
The main bass line sequence and percussion were generated by STG Soundlabs Time Modules. The bass sounds realized on the Moslab 901 VCO’s and 904-A LPF.
The sixteenth note line introduced halfway in is the synthesizers.com Q119 sequencer to an Ian Fritz/Doug Slocum Double Dekka Ultrasonic VCO fed to two EG’s and a Yusynth Minimoog filter.
Delays included Modcan dual delay, Lexicon MX200 (x2) and Behringer DD400.
The snare is a TipTop Audio SD808.
Played live in the studio and recorded to a single stereo track in Cubase. Video recorded with an iPhone7 and edited in Final Cut Pro.