Akai iMPC Pro Promises 64 Tracks Of Heavyweight Music Production

akai-impc-pro

When Akai Pro released the iMPC iPad music production center, a lot of Synthtopia readers were left wanting more. The app was fun, but it didn’t offer the full capabilities of even old-school MPCs.

It looks like that may soon change. Akai today teased this image of iMPC Pro, a new software MPC for the iPad that they say promises ’64 tracks of heavyweight music production’. Continue reading

Rob Papen Intros eXplorer III – His Ultimate Synth & Effect Bundle

explorer-IIIRob Papen has introduced the eXplorer-III - a collection that brings together all 11 of his products:

  • Blade: The cutting edge of today’s synthesizers!
  • Punch: Speaker busting and body rattling drum machine.
  • BLUE-II: Cross-fusion synthesis.
  • SubBoomBass: Ultra-deep groove bass synth with built-in step sequencer.
  • Predator: Phat analoge synth with killer presets and first class features.
  • PredatorFX: Filter, modulation, vocoder and effects plug-in.
  • RG: Electric & acoustic guitar grooves with sequencer and synth effects.
  • RP-Delay: Delay insanity. reverser, 6 lines, 8 filters, 4 LFOs & more.
  • RP-Verb: An advanced, transparent and musical algorithm reverb with easy controls.
  • RP-Distort: Wicked FX unit that will distort or alter your tracks.
  • RP-Amod: Spice up your vocal track, liven an instrument and even beef up your drums.

Continue reading

2014 KVR Developer Challenge The Olympics Of Free Music Software

kvr-challengeKVR has announced the 2014 KVR Developer Challenge – a contest to create a new free audio plug-in, application or sound library.

It’s sort of like the Olympics of free music software and soundware.

Anyone can enter. KVR members will vote on the entries and pick the winner.  Continue reading

New Hybrid Synth, Mitosynth (Sneak Preview)

mitosynthDeveloper Wooji Juice, makers of Grain Science, have announced Mitosynth – a new software synth for the iPad.

Here’s what they have to say about Mitosynth:

Mitosynth combines several techniques. At the heart of the engine, you can load up to 32 waveforms into a single patch; at any given moment, it picks some out to be combined, modulated, then passed through a subtractive-style programmable filter/FX chain.

As well as importing or sampling audio, or using the built-in waveforms, you can also feed the wavetable engine from Mitosynth’s additive synthesiser, or by using the prefilter to process existing waves.

And to keep your sound in motion you can rig up complex LFOs, envelopes or other signals to drive your synth patches. Without a single patch cable.

Here’s an audio preview of the output of Mitosynth: Continue reading