Today M-Audio announced the availability of their new 3-way M3-8 studio reference monitor.
Featuring an innovative inline design and superior imaging, the compact M3-8 delivers an “immersive” audio experience with dedicated low-, mid-, and high-frequency drivers, each with its own dedicated amplifier.
M-Audio Product Manager, JC Sutherland, explains, “One of the biggest upsides to having a three-way design is accuracy in the lower mid-range frequencies — M3-8 has a dedicated driver for that often-muddy range, which can be too high for a woofer and too low for a tweeter to handle. M3-8′s three-way coaxial design successfully addresses that challenge.” Continue reading →
Akai Professional has introduced two new studio reference monitors, the RPM500 and RPM800.
Both monitors offer distributed Class A/B amplification, with ultra-efficient power while ensuring minimal distortion. RPM500 provides 90 watts total, with 50 watts dedicated to its 5-1/4 inch woofer and 40 watts to its silk-dome tweeter; RPM800 offers 120 watts total, with 80 and 40 going to the woofer and tweeter, respectively.
Yamaha introduced the second-generation HS Series studio monitor and subwoofer series at Musikmesse 2013 in Frankfurt, Germany. The extended, revamped lineup features a new 6.5” monitor.
Improving on the original HS line, launched in 2006, the new HS series feature new transducers that achieve smooth response over a wide bandwidth and ensure the accuracy of signal reproduction throughout the audio spectrum. By upgrading to a 1″ tweeter (from the previous3/4″ models) the new monitor series provides an extended frequency range and delivers high-resolution sound. Yamaha engineers have optimized the HS powered monitor and subwoofer monitor system for a variety of music production environments. Continue reading →
2013 NAMM Show: IK Multimedia has announced iLoud, stereo speakers designed for portability.
The iLoud line consists of two models, iLoud and iLoud MINI, both of which they say provide ‘sonic accuracy that’s on par with professional studio monitors’. The iLoud model offers 40W RMS of power, and its little brother, iLoud MINI,12W RMS. Continue reading →
Here’s one instance when having a crummy music setup is advantageous:
Music gear makers Korg, HK Audio, Lâg, and VOX are collaborating on a Make Over My Rig contest. The winner will receive a new setup that includes the new portable HK Audio LUCAS Nano stereo PA system, a Lâg T66DCE acoustic guitar, a VOX AGA30 acoustic amp, and Korg’s compact MicroStation keyboard. Contest organizers say the prize package is worth more than $2,600 US.
At the 2012 NAMM Show, PreSonus introduced a new iPhone (and iPod Touch) app for remotely controlling monitor mixes for up to 10 musicians, using the PreSonus StudioLive products.
QMix works by networking one or more iPhones wirelessly with a Mac or PC, enabling QMix to remotely access Virtual StudioLive to control one or more FireWire-connected StudioLive mixers.
As each iPhone connects to the network, its copy of QMix will “discover” all StudioLive mixers on the network, letting each musician create their own aux mix that includes all mixer channels. QMix also gives the StudioLive engineer the capability to set permissions, so that each iPhone on the network only controls a specified mix.
Enough with the blah, blah, blah, though. It’s all about you, isn’t it? Check out the rather awesome PreSonus Qmix intro video, which explains how the free app lets you have ‘more me’.
At The NAMM Show 2012: Audio equipment manufacturer Electro-Voice is launching a matching subwoofer for its best-selling ZXA1 compact self-powered loudspeaker at NAMM 2012 – the ZXA1-Sub, a product which the company says “punches above its weight.”
The ZXA1-Sub is designed to combine a portable size, good performance, and power. Equipped with a EV-engineered heavy-duty 12” woofer, a state-of-the-art 700-W amplifier, a durable 15-mm wood enclosure, and a maximum SPL rating of 126 dB, the ZXA1-Sub weighs “only” 46 lbs and measures 15.75“ x 17.5“ x 18.“