Open Labs has introduced SoundSlate, what they call “the ultimate virtual instrument player” and hardware DAW for your keyboard workstation or MIDI controller.

SoundSlate puts Open Labs’ music operating environment, including the virtual instrument host Riff, 8000+ of sounds and effects, a robust audio i/o, and a powerful computer core running Windows XP, into a 1U-ultra compact case.

Features:

• Professional music production for the price of a laptop.
• 24-bit/ 192kHz A/D converters (same as Pro Tools HD 192 I/O interface).
• 8000+ preset sounds and effects
• Includes Cubase LE, Sonar LE, LIVE LE and more.

Open Labs SoundSlate packages start at $1,999.

SoundSlate Technical Specifications:

CPU
Intel® Core2 Duo ® (2.8GHz)

Memory
2 GB (upgradeable to 4GB)

Storage
500 Gigabyte (upgradeable to 2TB)

Drive
Slimline CD/DVD Burner

Connection
(8) USB 2.0 ports
(1) Gigabit (10/100/1000) Ethernet port
(2) DVI Video ports (1 DVI-I, 1 DVI-D)
(1) E-SATA port

Audio
Sample Rates: 44.1, 48, 96, 192kHz from internal crystal or externally supplied clock (no sample rate conversion)
Bit Depths: 24-bit I/O, 32-bit processing
E-MU E-DSP™ 32-bit DSP with 67-bit accumulator (double precision w/ 3 headroom bits)
Hardware-accelerated, 32-channel mixing, and multi-effects processing
Zero-latency direct hardware monitoring w/effects
ASIO 2.0, WDM/MME/DirectSound Drivers
EDI (E-MU Digital Interface) proprietary 64-channel audio link over CAT-5 cable
Anti-Pop speaker protection minimizes noise during power on/off
Ultra-low jitter, clock subsystem: < 1 ns in PLL mode (44.1kHz, Opt. S/PDIF Sync)

Analog Line Inputs (2)
Type: servo-balanced, DC-coupled, low-noise input circuitry
A/D converter: AK5394A
Level (software selectable):
- Professional: +4dBu nominal, 20dBu max (balanced)
- Consumer: -10dBV nominal, 6dBV max (unbalanced)
Frequency Response (20Hz – 20kHz): +/- .05dB
Dynamic Range (1kHz, A-weighted): 120dB
Signal-to-Noise Ratio (A-weighted): 120dB
THD+N (1kHz at -1dBFS): -110dB (.0003%)
Stereo Crosstalk (1kHz at -1dBFS): < -115dB

Analog Line Outputs (2)
Type: Balanced, low-noise, 3-pole low-pass differential filter
D/A converter: CS4398
Level (software selectable):
- Professional: +4dBu nominal, 20dBu max (balanced)
- Consumer: -10dBV nominal, 6dBV max (unbalanced)
Frequency Response (20Hz – 20kHz): + 0.0/-.35dB,
Dynamic Range (1kHz, A-weighted): 120dB
Signal-to-Noise Ratio (A-weighted): 120dB
THD+N (1kHz at -1dBFS): -105dB (.0006%)
Stereo Crosstalk (1kHz at -1dBFS): < -115dB

Digital I/O
S/PDIF:
- 2 in/2 out coaxial (transformer coupled)
- 2 in/2 out optical (software switched at ADAT)
- AES/EBU or S/PDIF format (software selectable)
ADAT:
- 8 channels, 24-bit @ 44.1/48kHz
- 4 channels, 24-bit @ 96kHz (S-MUX compatible)
- 2 channels, 24-bit @ 192kHz
MIDI:
- 1 in, 1 out

Synchronization
Internal crystal sync at 44.1, 48, 96, 192kHz
External sample rate sync via
- ADAT (44.1 – 192kHz)
- S/PDIF (opt. or coax 44.1 – 96kHz)

Power Supply
250 Watt Power Supply, Whisper Quiet Cooling Fans (Internal Chassis, Processor & Power Supply)

Dimensions:
19”(W) X 12”(D) X 1U(H)

via GearJunkies

Saturday Synth Porn: Here are a few more shots, via Sweetwater, of the new Moog Taurus III bass pedals.

Synth Porn Saturday: The Moog Taurus III Bass Pedals in all their glory.

Click on the image to get the full-screen HD surround-sound photo of this droolworthy butt-shaker.

Moog’s selling these for 2K. Check the big photo and you’ll see why it’s going to be worth it.

Preliminary Specifications:

• 100% Analog Sound Engine based entirely on original TAURUS I circuits
• “Taurus I” style
• 2 VCO Oscillators, ADS Contour Generator, 1 VCF Filter, Output VCA
• PRESETS: 16 Banks x 4 presets = 48 Total Programmable Bass Sounds
• BANK 0 will contains the Original Taurus I Presets: VAR, TAURUS, TUBA, BASS
• MIDI: DIN and USB, Merging and Routing
• ARPEGGIATOR: MIDI Sync, TAP TEMPO, Internal
• CV Inputs: VOLUME, FILTER, PITCH, GATE

via Big City Music

This is a demo for Drawdio – a pencil that lets you “draw” instruments.

While creator Jay Silver compares it to a theremin, it’s closer to a Tannerin or Electro-Theremin.

via wakeupsilver:

Imagine you could draw musical instruments on normal paper with any pencil (cheap circuit thumb-tacked on) and then play them with your finger. The Drawdio circuit-craft lets you MacGuyver your everyday objects into musical instruments: paintbrushes, macaroni, trees, grandpa, even the kitchen sink…

One day I bought a “harmonium” kit at the street market in Bangalore. I hacksawed the keyboard off to make the first ever Drawdio circuit. We played with it at a local school in the slums using plants, water, our foreheads, etc. My friend told me graphite would work too. Meditating on it, I realized the Drawdio circuit should be literally attached to a pencil to “draw audio,” and that’s where the name came from: Draw + Audio.

DIY: Make it. Remix it. Play it.

See http://drawdio.com

This is Paul Shillito’s Tomita-style version of Stravinsky’s The Rite Of Spring Introduction.

Shillito calls this his classitonic style – influenced by the electronic interpretations of classical music done by Isao Tomita and Wendy Carlos in the late 60’s and 70’s.

He plans a complete version of The Rite Of Spring.

Soft synths used on this included the Arturia Minimoog V2, Arturia Moog Modular, Arturia Jupiter 8V, Arturia Yamaha CS80V and soundtoys effects.

via paulshillitomusic:

Stravinsky – The Rite of Spring – Introduction.

Done in my Classitronic style, Classitronic is what I call electronic classical music with my style being heavily influenced by Isao Tomita.

This is the first part of the classic Stravinsky ballet The Rite of Spring which caused a near riot when it was premiered in Paris on May 29th 1913.

The rest of this work is to follow, so watch this space

Kinetic Labs has introduced Mot-Box – a sound generator built for musicians and sound designers.

According to developers, “It’s capable to produce sounds from drones to helter-skelter noises.”

It retails for 250 Euro.

Functional details below. Audio demos at the Kinetic Laboratories site.

WTF?

In this KorgTV exclusive, Dr. Funk rocks the Korg Kaossilator, while Go Go Girl kisses the camera and plays air guitar.

The festivities are only marred by Inset Man’s unfortunate placement of the closeup camera shots.

via KORGTVGERMANY

This video demonstrates using Max For Live with a Wacom Tablet to control the Analog synth instrument in Ableton Live 8.

The “Wacom Theremin” offers a lot of expressive musical potential, with 5 degrees of control over the sound.

Details below.

via rerunnermusic:

The live.remote~ object passes data at many times the resolution of MIDI (one of the great things about the Wacom tablet and sample accurate modulation from MSP to Ableton Live using the API objects in Max for Live).

The Wacom tablet has 5 degrees of hi-res expressive freedom (see below for mappings). Very promising, this is just a quick little study… Cheers.

x axis = pitch (tempered)
y axis = volume
pen pressure =vibrato amount
tilt axis y = vibrato rate
tilt axis x = detune +/- semitone.

Thalassa’s Berlin School Moments is a retro live synth jam, featuring Moog MG-1 + Synthesizers.com + Yusynth + MFOS step sequencing.

“Berlin School” synth music is music that’s inspired by the tradition of 70’s German electronic music pioneers like Tangerine Dream and Klaus Schulze. Key characteristics include step-sequenced basslines, “spacey” effects, Moog synth leads and Mellotron pads.

Details below.

via Thalassa77:

Synthesizers.com and the MFOS Sequencer: main sequence

Moog Realistic MG-1 lead sounds.

Redtron : Mellotron Sounds.

No MIDI sequences were used , all was recorded on one take and no further mixing after recording, Everything is improvised,please forgive my mistakes ( a lot of them )

Synthesis Bakis Sirros, aka Parallel Worlds, sends word via the synth forum that a new Serge M-odule has been released:

Its the ‘KlangShifter’ m-odule.

it includes the following modules (from left to Right):

DTG (Dual Transient Generator), MIX PRO (Mixer Processor), FREQUENCY SHIFTER, C/M (a Gate switch, plus lin and exp attenuators), X-Fader.

the official price is 2400 USD.

it is a great m-odule for anyone wanting to get the Serge Frequency shifter module in M-format, plus of course , vc-dual envelope generation, vc-slewing, vc-audio/trigger dividing, vc-gate delay, envelope following, cv mixing/scaling/offseting, vc-X-fading, audio vca, attenuation (exp. and lin.) and manual gate generation

If  you’ve used the Serge Klangshifter, leave a comment with your thoughts on it!

Sunday Synth Jam: Skoulaman created this live Berlin School/space music/ambient synthesizer jam.

Details via skoulaman:

Sequenced with an arpeggiator loop from the Kurzweil Midiboard connected with the Kawai k1r and the Waldorf micro Q. The solo vibe sounds are from a Yamaha CX5M computer and the Korg Lamda in combination with a Moogerfooger. Accords played om the Juno 106 and on the Korg Lamda.

What The Future Sounded Like is a documentary about the the people of EMS (Electronic Music Studios) a radical group of avant-garde electronic musicians who utilized technology and experimentation to compose a futuristic electronic sound-scape for the New Britain.

Comprising of pioneering electronic musicians Peter Zinovieff and Tristram Cary (famed for his work on the Dr Who series) and genius engineer David Cockerell, EMS studio was one of the most advanced computer-music facilities in the world.

EMS’s great legacy is the VCS3, Britain’s first synthesizer and rival of the American Moog. The VCS3 changed the sounds of some of the most popular artists of this period including Brian Eno, Hawkwind and Pink Floyd.

via bananimalistic:

Tonewheels is an experiment in converting graphical imagery to sound, inspired by some of the pioneering 20th Century electronic music inventions.

In this three day workshop from 24-27 October 2009 in Bulgaria, participants built a simple light-to-sound converter and DC motor controller, and then began to experiment with drawing sounds onto transparent “tonewheels”. The workshop ended in a group performance and an invitation to the audience to try out the instruments for themselves.

Synth Porn Saturday: This video captures an Analogue Systems workshop at 4Sound Stordahl Musikk – or as Audiobersjerk calls it, a giant wall of manly Analogue systems modules.

Ahhhh. You can almost smell the patch cords……

The Bob Moog Foundation has created a calendar celebrating the rich history of the Moog Legacy through vintage photos, memorabilia, quotes and information taken directly from Bob’s archive.

The photos trace pivotal moments in Bob’s early career and highlight musicians and pioneers who inspired his work.

The calendar is $20 in the Foundation shop.

The calendar is comprised of five photos of Moog himself, taken from 1958-1974.

The remaining photos are of:

• Leon Theremin
• Vladimir Ussachevsky
• Herb Deutsch
• Keith Emerson
• Paul Beaver and Bernie Krause
• Isao Tomita
• Joel Chadabe
• Roger Powell

Throughout the calendar, Bob’s thoughts and philosophies about his work are shared.

The calendar was designed by graphics artist Rose Hecht in collaboration with the Bob Moog Foundaton.  Through her designs, Rose pays hommage to the original Moog modular synthesizer as the instrument that spawned an industry and radically changed the face of popular music. The background of every page touts panels of knobs and patchbays — images taken from photos of an early modular that was used in Moog’s shop in the 60s.

The BT Visit London Awards 2009 opened this year at The Westfield Centre, London to the sound of a 10 piece Tenori-On Orchestra.

The event, to celebrate and award the best of the tourism industry in London, was opened in style. A  string quartet began playing Beethoven’s 5th against a back drop of images of London. As the piece built up, a 10 strong Tenori-On orchestra took over, turning Beethoven’s 5th into a disco tune a la Walter Murphy.

You can hear the Tenori-On Orchestra’s version of Beethoven’s 5th at the Yamaha site.

The Tenori-Ons were programmed by Sound Designer and Yamaha artist Marc01.

“Taking on such a monumental piece of music (Beethovan’s 5th), and adapting it for the Tenori-On was definitely an exciting and challenging project,” said Marco1. “The Tenori-On is a very inspirational tool – having the ability to program it in a very melodic way, and to suddenly switch to the more experimental layers such as Bounce and Random opened up a world of possibilities.”

“Having the luxury to use 10 Tenori-Ons meant that I could really experiment with multiple layers, effects and processing to take the Tenori-On way beyond peoples expectations of what it can do.”

If any readers made it to this performance, leave a comment!

Dr Bleep is trickling out more info on the new Thingamagoop 2 synth robot.

The video above demonstrates using a Thingamagoop 2 to control a Moog Prodigy.

Dr Bleep says:

The Thingamagoop has a stereo 1/8? jack on the side to facilitate control voltage in and out. You can make your own cable very simply or order a nice, shielded one from us. It’s simply a stereo 1/8? to two, mono female 1/4? jacks. Here’s Dr. Bleep and his band, The Hearts and the Minds, using the Thingamagoop 2 to control a Moog Prodigy.

Note that the CV input is not 1volt/Octave but you can use it to make some ridiculous sound!

Arduino Support

The Thingamagoop 2 uses Arduino to control the analog VCO as well as the LEDacle. You don’t need an Arduino board to use the Thingamagoop 2; you only need on if you want to reprogram it.

The Thingamagoop 2 circuit incorporates an AVR chip that has been programed without the Arduino bootloader. This allows the device to start up immediately but you’ll have to switch out the chip for one with the bootloader if you want to reprogram it.

The programmer cable is a stereo 1/8? cable with a ferrite noise suppressor and 3 pins on the other end that go into the Arduino headers. Not only can you directly program the Thingamgoop 2, you can communicate with it.

“Who will be the first to get processing to use the photocell as a variable!? Or build a MIDI i/o!?” asks Dr Bleep.

While the site of a large modular synth, a Roland TB 303 or a Fairlight CMI III is titillation enough for most synth freaks, the 2010 APC calendar goes a step further.

Here’s what APC’s Simon Iddol has to say about their 2010 calendar:

The calendar itself is a limited edition (500 copies) A3 sized wall calendar featuring legendary synths like Fairlight CMI III, Roland TB 303, PPG Wave, EMS AKS or Roland Jupiter 8.

Our aim is to create a calendar like this in every year and to do something for the music world like the Pirelli calendar for the car world.

If every garage has a hot chick VS cool cars calendar, than every studio needs our calendar.

The model is a world famous Hungarian striptease dancer and model Dorothy Black.

The politically correct side of me thinks that they should have balanced out the gear photos featuring the “world famous Hungarian striptease dancer” with some shots with a hunky naked guy – but photos of naked guys with monster synths would probably kill the vintage synth resale market on eBay forever.

The calendars are $30 via PayPal. Details at the APC site.

SFW preview (that’s probably NSFW) here.

Sonic State’s Nick Batt has put together another great review and demo, this time for the Dave Smith Instruments Tetra synthesizer, a new four-voice polyphonic analog synthesizer.

DSI Tetra Features:

• Affordable, fully programmable poly synth with a 100% analog signal path
• Classic, real analog sound—including legendary Curtis analog low-pass filter
• Four-part multitimbral capability with four separate outputs
• Combo Mode for huge unison patches, stacked sequences, and “modular-style” poly sounds
• Expandable: poly chain with other Tetras, Prophet ‘08, and Mopho for expanded polyphony
• Just 7.9? x 5? (20.07 cm x 12.7 cm)

Batt calls the Dave Smith Tetra synthesizer ” another cracking little synth from DSI.”

See his full review at the Sonic State site.

Here’s the first version of the laser cut and engraved Casper Electronics Drone Lab housing:

Some of the details may change, but the general design is set. An alternate design may be offered which features an extended faceplate with blank space for adding extra control hardware.

The Drone Lab is a 4 voice analog drone synth, rhythm generator and FX processor. It is capable of generating rich, textured soundscapes, hypnotic drones and complex rhythmic sequences.

A complete parts kit & PCB are available for $200.