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VJ


This videos shows Livid Instruments’ Ohm64Editor version 1.02, which introduces the LED pattern maker. It is useful for creating interfaces and patterns on your controller.
The Ohm64 is a programmable interactive MIDI control surface designed to give you hands-on control over your performance.
The MAX/Msp source code for the editor is available and can be downloaded from [...]

 


Mashup Artist Scratches Old Favorites was uploaded by: wired
Duration: 168
Rating:

 

This is a teaser trailer for Glenn Marshall’s iPhone music visualization application, Zio.
Marshall is known to Synthtopia readers for his amazing generative music videos.

 

It’s been a long time since Microsoft came out with something cool enough to make people drool, but VPlay could break that dry spell.
VPlay is a multi-touch tabletop application that lets you mix and manipulate multiple video streams in real-time.
According to the Microsoft researchers behind VPlay:
Our aim is to explore how such an interactive surface [...]

 

Livid Instruments has posted some preview videos of their new Ohm64 DJ/VJ control surface, and it’s clear that we’re not going to have trouble finding sexy, powerful control surfaces any more.
Between the Ohm64, the Akai APC40 and a bunch of other cool new controllers, it’s going to be tough deciding which one is the [...]

 


nostromo was uploaded by: hamageddon
Duration: 165
Rating:

 


Vistalizer (checking out Resolume 3) was uploaded by: salzmanufaktur
Duration: 214
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Mabuse Demo was uploaded by: MabuseSoftware
Duration: 83
Rating:

 

Surya Buchwald, aka Momo the Monster of VJ Kung Fu takes a look at structuring a VJ performance:
So much of Visual Performance is improv – anticipating where things are going and reacting in interesting ways. I was thinking about this recently, and about how I’m always winging it when it comes to preparing for a [...]

 

This is a quick demo of beta 0.1 of Incisor – an extension to Molar which provides Video Cutup functionality.
Uses a Monome 128, Isadora and Molar.
Docs and Downloads here.

 

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      Translator

      something to think about

      As for the future of electronic music, it seems quite obvious to me that its unique resources guarantee its use, because it has shifted the boundaries of music away from the limitations of the acoustical instrument, of the performer’s coordinating capabilities, to the almost infinite limitations of the electronic instrument. The new limitations are the human ones of perception. — Milton Babbitt

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