An extended cut from one of Fareed Haque’s great solos at The Moog Guitar Showcase at Summer NAMM 2008. Note the massive sustain.

Akai Professional is now shipping the MPD32 pad controller.

MPD32 is Akai Professional’s flagship pad controller for musicians and DJs. Using a USB cable to connect to a Mac or PC, MPD32 is designed for hardware control of apps like Reason, Ableton Live and GarageBand.

MPD32 also features transport controls for interfacing with DAW/sequencing applications like Sonar, Cubase and Logic. MPD32 is a fully programmable controller and multifunctional control surface that fits perfectly within any production or performance environment.

Features:

• MIDI-synced note-repeat with MPC swing
• Sixteen full-sized, genuine MPC pads with velocity and pressure-sensitive response
• Three banks of eight assignable switches, sliders and endless knobs for a total of 72 controllers
• Two assignable Foot Switches
• One assignable Foot Pedal controller
• Large, easy-to-read backlit LCD
• Thirty user-definable presets for use with software applications
• MMC/MIDI Start/Stop transport buttons
• Ableton Live Akai Edition software included
• BFD Lite software included

MPD32 is available now, with an MSRP of $499.00.

Akai has announced that they are now shipping the MPC5000.

Akai’s MPC5000 is the first MPC to permit eight-track streaming hard disk recording for real-time capture of individual tracks or even entire songs. A 20-voice, three-oscillator analog synthesizer with arpeggiator, a new sequencing engine with 960 PPQ resolution, pad and track muting and mixing, 64 continuous sample tracks and 12 Q-Link controllers highlight just some of the features that make MPC5000 Akai’s most advanced MPC ever.

An optional CD/DVD drive permits usage of audio on CD or DVD in songs, and also records compositions. 650MB of sounds from Loopmasters are included with the MPC5000, so it’s ready to go straight out of the box.

Best of all, it’s got an “old-school” mode, for that vintage sampler sound!

The MPC5000 lists $3,499.00.

Features:

• Sixty four-voice drum/phrase sampler with 64MB memory built-in; expandable up to 192MB RAM
• Three-oscillator virtual analog synth engine with arpeggiator
• More than 300 Virtual Analog synths including
• Eight-track direct-to-hard disk recording
• More than 40 unique effects within a modular four-bus effects processor
• Master equalizer and compressor
• “Old school” mode provides vintage sampler sound
• Built-in 80GB hard drive
• Optional CD-R/DVD drive
• USB 2.0 port for computer connectivity
• CF Type-2 card slot (up to 2GB)
• Chop-Shop 2.0 software included – slices stereo loops into individual samples and automatically assigns to pads
• Patched Phrases – creates multiple splits in looped samples to ensure proper tempo sync without changing pitch
• Continuous Sample Track – ensures samples play in perfect sync no matter where you start the beat in a loop
• 12 Q-link controllers for internal automation, external MIDI control and quick parameter editing.
• 240 x 128 hinged backlit LCD is double the size of previous MPC displays
• Ten analog outputs, eight ADAT-optical outputs, and stereo S/PDIF I/O
• Powerful new multimode filter
• Two MIDI inputs and four MIDI outputs
• Turntable phono inputs with RIAA preamp
• XLR + 1/4-inch combination inputs, selectable mic/line for use with any input source

MPC5000 is also the first MPC with Random and Cycle sample playback added to the Zone play. A turntable input with preamp and XLR + 1/4-inch inputs provide a wide range of options for connecting any source equipment for production and performance.

“Sibelius First is that great first step into the world of professional score writing for aspiring composers,” said Jeremy Silver, Sibelius Software’s managing director. “If you’re more comfortable composing while playing a guitar or a keyboard, then Sibelius First is for you.”

Sibelius First features:

• Friendly user interface;
• Composing and arranging tools for up to 12 staves of music;
• Easy input via MIDI keyboard, MIDI guitar, computer keyboard or mouse;
• Dynamic Scoring for instrumental parts that automatically update as you work on the full score;
• Ability to switch from guitar tab to notation and back again with ease;
• Built-in general MIDI sounds, with 128 high-quality instruments for realistic playback of your music;
• Exporting of your score ready to burn to CD;
• Support for scanning in printed music for editing or transposition; and
• Scorch technology to publish, post and share scores on the web so your fans can see and hear your music.

Sibelius First is available beginning June 25 for $129 (MSRP).

2008 Summer NAMM Show: Numark intro’d the DDS80, aka “the world’s only future-proof CD player for the DJ.”

“The world’s only future-proof CD player for the DJ” features USB ports for connection of thumb and hard drives, iPods, MP3 players; and an included 80GB removable/upgradeable hard drive.

While Numark’s marketing catch-phrase may be a little over-the-top, the DDS80 looks like it offers state of the art digital DJ technology in a all-in-one package. 

DDS80 features:

• CD player with integrated hard drive
• Large backlit, full-color display
• Key lock for maintaining key (pitch) while shifting tempo
• Seamless looping, pitch control, and scratching capability via jog wheels
• Text search, letter-pick scrolling, and on-board playlist creation
• Three USB ports for connecting iPods, thumb drives, and hard drives
• Enables music to be played from two devices simultaneously, including two songs from the same iPod
• Users can scratch with MP3, WAV, and AAC (unprotected) files
• Pitch control from -100% … +25%
• Beatkeeper™ technology for seamless integration of samples and loops with tap override
• Searches via two large jog wheels and uses skip peak searching in profiles
• Two front-panel USB ports for easy expansion and connection
• 5RU total, or 3RU + 2RU, fits standard 19-inch equipment racks

More info is available at the Numark site. 

LP 2 CD is an all-in-one system with internal flash memory, so no computer is required to digital recordings from vinyl or any other analog source using the RCA line inputs.

Because it is built around 1GB of flash memory, you can make multiple copies of your albums, make custom mix CDs or export music via the integrated USB audio interface.

LP 2 CD Features:

• USB turntable with integrated flash memory system and built-in CD burner for all-in-one recording from vinyl to CD
• Mastering by Alesis, finest possible conversion audio quality and superior CD recording consistency
• USB audio interface, analog (RCA) line in, and analog (RCA) line out for comprehensive connection

LP 2 CD is due at retailers in Q3-2008.

Description:

The GW-8 features a wide variety of pre-programmed styles, focusing on the musical styles of South America and the southwest United States. Choose from four style variations for each song progression.

In addition to onboard styles, the GW-8 allows for seamless playback of MP3, .WAV, AIFF, or SMF files directly from USB flash memory for accompanying backing tracks. The GW-8 can also be refreshed with new songs and styles via USB flash memory.

The GW-8 offers an infrared D Beam, a pitch-bend/modulation lever, and a pair of control knobs for real-time expression. Performers will appreciate the large backlit LCD, especially on dark stages and in dimly lit studio environments.

More info is available at the Roland site. 

2008 Summer NAMM Show: Mackie announced a new line of powered mixers — the PPM608, the PPM1008, and the PPM1012. 

“While they may be lightweight, the new Mackie PPMs deliver mad power,” said Gilbert Perales, Mackie product manager. “You won’t see smoke when driving dual S225 15″ towers from our mixer.”

Description:

A complete set of professional mixing tools includes premium Mackie preamps, 2 built-in DI boxes, 3-band Active EQ, and in-line compressors. The onboard 32-bit RMFX+ effects processor boasts a sane, useable set of premium Mackie reverbs, choruses and multi-tap delays.

• The PPM608 8-Channel, 1000W powered mixer includes 8 premium Mackie mic preamps, 48V phantom power and 6 TRS inserts.
• The PPM1008 8-channel powered mixer provides 1600W of power, 8 premium Mackie mix preamps, 48V phantom power and 6 TRS inserts.
• The PPM1012 12-Channel Powered Desktop Mixer features 8 mic/line mono inputs and 2 stereo line inputs.

The PPM608, 1008 and will be available in the U.S. in June 2008 and internationally in July 2008. PPM1012’s availability is Q3 of 2008. The PPM608 has an MSRP of $779.99. The PPM1008 has an MSRP of $939.99. The PPM1012 has an MSRP of $1,199.00.

Description:

This add-on lets drummers extend the power of their V-Drums with wider dynamics, new sounds, new ambience effects, enhanced V-Editing, and improved functionality.

The TDW-20 Expansion Board can be user-installed easily, adding hundreds of new drum and percussion instruments. The TDW-20 also features improved expressiveness and dynamics, additional ambience effects to create customizable drum sounds, advanced COSM editing features and a new and improved operating system.

2008 Summer NAMM Show: Yamaha announced the new MM8 Music Synthesizer.

Like the MM6, the MM8 features sounds from the popular Motif Series, real-time control, computer integration and adds an 88-note Graded Hammer action Yamaha keyboard.

“The MM8 has all the great sounds and features of the MM6 in a full-size package,” said Yamaha’s Athan Billias. “It’s a ‘players’ synth for the stage or studio and will integrate easily with any set-up.”

Drawing on more than 100 years of creating acoustic pianos, Yamaha’s GHS keys respond like those of a grand piano, weighted heavier on the lower notes and gradually becoming lighter up the keyboard for expressive control over the sound.

The MM8 will be available in July, 2008 for a retail price of $1,299.99.

2008 Summer NAMM Show: MOTU has unveiled version 6 of Digital Performer.

Digital Performer 6 offers new features, enhanced operation and improved performance at all levels, from hundreds of small enhancements driven by user requests to major new features and plug-ins.

Features like track comping transform everyday work, while DP6’s new Final Cut Pro integration “could very well transform the way film scoring is done”, according to MOTU.

New features include:

• New user interface
• Streamlined operation
• Track comping
• MasterWorks Leveler plug-in
• ProVerb plug-in
• Film scoring enhancements
• Final Cut Pro integration
• Expanded audio file support
• Enhanced Pro Tools | HD support
• Enhanced plug-in operation
• Enhanced softsynth operation
• Direct audio CD burning
• DP6 productivity enhancements

Upgrades start at $195.00; competitive upgrades are $395.00.

Details are available at the MOTU site.

2008 Summer NAMM Show: Yamaha announced the MOTIF-RACK XS Tone Generator.

Description:

Utilizing the very same sounds as the famed MOTIF XS, the MOTIF-RACK XS includes 1,152 dynamic and authentic Voices, 65 exciting drums kits, and a comprehensive synthesis engine for building custom Voices. These Voices are the basis for further sound creation and customization using the built-in studio quality effects, thousands of arpeggio types of which 4 can be played back simultaneously, and 5 front-panel control knobs capable of adjusting 20 different parameters in real-time.

In the studio, the MOTIF-RACK XS is easily integrated into a computer music system with a simple USB connection. The MOTIF-RACK XS Editor provides easy access to deep editing functions on the computer screen that are not available on the front panel. This editor can be used stand-alone or integrated with the included Cubase AI DAW software. Cubase AI (Advanced Integration) provides legendary Steinberg music production capabilities and direct integration with many Yamaha hardware products. It provides 48 tracks of audio, 64 tracks of MIDI, VST instruments and effects, and a powerful Cubase 4 audio engine for complete music production.

For addition inputs and outputs, Yamaha’s optional mLAN16E2 interface card connects the MOTIF-RACK XS to the computer and communicates audio and MIDI data through a single Firewire cable.

The Motif-Rack XS will be available in June, 2008 for $1,499.99.

2008 NAMM Summer Show: Numark announcee three new series of DJ mixers: the C-series of rack-mount club mixers, the M-series of tabletop DJ mixers, and the X-series of 100% digital tabletop DJ mixers.

The C-series of 19-inch rack-mount mixers features multi-channel input sections with phono, line, and microphone inputs, multiple outputs, and sizing to fit standard 19-inch equipment racks. Models include C1, C2, C3, C3FX and C3USB, providing clubs a wide variety of feature sets from which to select their mixer.

The M-series of tabletop mixers includes compact and full-sized 10-inch tabletop DJ scratch mixers. Multiple channels including phono, line and microphone inputs and a range of options for EQ, frequency kills, and transform buttons are available. Models include M1, M1USB, M2, M3 and M4.

X-series DJ scratch mixers build on the M-series, incorporating a 100% digital signal path and signal processing technology from Alesis to provide low noise, low harmonic distortion, and the utmost fidelity. Models include X1USB, X6 and X9, each with a full compliment of DJ-friendly features and capabilities.

The all-new mixer models, C1, C2, C3, C3FX, C3USB, M1, M1USB, M2, M3, M4, X1USB, X6 and X9 will all be on-shelf at retailers within Q3-2008.

2008 Summer NAMM Show: Roland announced the new JUNO-Stage synthesizer.

Description:

The JUNO-Stage includes all the features needed for a streamlined live performance, such as simple split and layer functions, separate reverb and EQ knobs, an intuitive top panel and LED display, and the FAVORITE function. Made popular by the current JUNO series, this function allows for the quick recall of up to 100 unique sounds and keyboard setups.

The JUNO-Stage even includes a dedicated XLR microphone input with reverb and a vocoder, adding another unique possibility for a live performance.

The JUNO-Stage effortlessly translates to the studio as well. Using a single button, it is transformed into a MIDI master keyboard, enabling seamless integration with external sound sources and software recording applications. A USB memory port enables playback of .MP3, .WAV, .AIFF, or .SMF files from standard USB flash memory.

2008 Summer NAMM Show: Alesis has introduced the ProTrack, a device that turns an iPod into a professional handheld digital stereo recorder.

Two high-quality condenser microphones are built-in, fixed in XY stereo configuration. ProTrack also offers users a pair of combination XLR – 1/4-inch inputs for connection for external microphones and line sources. When running on plug-in power using the included AC adapter, ProTrack supplies 48V phantom power so that it can power condenser microphones.

ProTrack’s exterior contains a Universal Dock for iPod, LED signal indicators, and controls for 48V phantom power, limiter, and volume. Four AAA alkaline batteries provide four to five hours of operation. A threaded mount is integrated for tabletop use on a camera tripod.

The Alesis ProTrack will be available Q3, 2008. No pricing has been announced.

Key features

• Integrated iPod design
• Records to iPod (Classic or 5th Generation), or iPod nano (2nd or 3rd Generation)
• Professional connectors: two combination XLR – 1/4-inch inputs, 1/8-inch stereo output
• Supplies 48V phantom power to inputs when wall-powered
• Records 16-Bit, 44.1kHz or 22kHz stereo
• Two built-in condenser microphones for detailed recording
• Built-in microphones in XY configuration for optimum stereo image
• Switchable limiter ensures overload-free recordings even in unpredictable aural situations
• AC power adapter included
• Four AAA batteries provide up to five hours of operation
• Tripod stand mount for placing into ideal recording conditions

I’ve got a set myself, and can vouch that they sound great and are built like tanks.

Now Mackie has announced the next generation of its SRM Series, with the SRM450v2 and SRM350v2.

The new models feature efficient switching power supplies, a lightweight neodymium woofer and a titanium dome compression driver. The SRM450v2 is 11 pounds lighter than its predecessor and now cast in a distinctive midnight blue enclosure.

“The change in sound from the originals is noticeable across the entire frequency range- the low end is punchier, the highs are more brilliant and the clarity of the mids are greatly improved,” said John Boudreau, Mackie Brand Group VP. “The original SRM’s have been the industry standard for sound quality for a decade; we needed to step it up and create a new standard- that’s what we’ve done with the SRMv2.”

The sound improvement may be great – but, in my book, cutting 11 pounds off the weight may be the best new feature.

The SRM450v2 features a built-in 300W class-D, Fast Recovery LF amp/100W HF amp and weighs 40 lbs. The SRM350v2 features a built-in 165W class-D, Fast Recovery LF amp/30W HF amp and weighs 26 lbs.

The SRMv2s are now available world-wide. The SRM350v2 will have a U.S. MSRP of $699.99. The SRM450v2 will have a U.S. MSRP of $899.99.

2008 Summer Namm Show: Mackie expands its VLZ3 compact mixer line with the release of the 402-VLZ3 and the 802-VLZ3 Premium Mic/Line Mixers.

“The 802-VLZ3 is the perfect mixer for someone who wants the overall quality of a 1202-VLZ3, but doesn’t need that many input channels,” said Greg Young, Mackie Product Manager. “The 402-VLZ3 is designed to be compact with an intelligently scaled feature set that maintains the sound quality and performance of the other Mackie VLZ3s. These are the only mixers available for those whose input counts are low, but whose standards are not.”

Here are the details:

The 402-VLZ3 features 2 mono mic/line channels, a dedicated stereo line channel and an assignable stereo RCA input channel. Mono channels each include an XDR2 preamp, switchable high-pass filter, 2-band EQ and a channel overload LED, and can be hard-panned for stereo applications.

The 802-VLZ3 includes 5 channel strips with 3 XDR2 mic preamps, the Alt 3-4 bus, a pre-/post-switchable aux send, a dedicated stereo aux return, plus a comprehensive control room section.

The 402-VLZ3 and 802-VLZ3 are now available world-wide. The 402-VLZ3 has a U.S. MSRP of $129.99. The 802-VLZ3 has a U.S. MSRP of $259.99.

2008 Summer NAMM Show: Source Audio is shipping its new line of Soundblox effects pedals. Source Audio will also provide a free Hot Hand wired sensor pack with the Soundblox Wah, Phaser and Flanger while supplies last.

Based on the Hot Hand Wah Filter and Hot Hand Phaser/Flanger effects systems, the new Soundblox Tri-Mod Wah, Tri-Mod Flanger and Tri-Mod Phaser pedals each offer 11 different effects that feature the same high quality sounds as their predecessors. The effects on these products can be modulated by either a Hot Hand motion sensor, an LFO or an Envelope Follower.

All Soundblox effects feature 56-bit DSP co-developed with Analog Devices and 24-bit A/D D/A converters.

MSRP for the Soundblox pedals is $149.99.
MSRP for the Hot Hand Wireless Adapter & Controller is $150.
MSRP for the Hot Hand Wired Controller is $24.95

Alesis is now bundling Ableton Live Lite 7 with the following mixers and interfaces:
iO|2, iO|26, iMultiMix 8 USB, iMultiMix 16 USB, MultiMix 8 USB, MultiMix 8 USB 2.0, MultiMix 8 FireWire, MultiMix 16 USB 2.0, MultiMix16 FireWire and MasterControl

With Ableton Live Lite 7, not only can owners mix and record their works using Alesis recording technology, they now receive a complete system from content acquisition and manipulation to finished product.

Referenced Alesis products bundled with Ableton Live Lite 7 will begin shipping this fall.

This is a great update to an already strong collection of mixers.

Steinberg and Yamaha have introduced a new MIDI controller for Cubase, the CC121 Advanced Integration Controller.

Features :

• Advanced Integration controller knob with ‘point and control’ support: controls any visual Cubase 4 parameter, internal FX setting or VSTi parameter using mouse pointer selection
• Instant plug and play with ‘Cubase Ready’ LED – no additional setup or parameter assigning required
• One motorized 100mm touch-sensitive fader
• Dedicated control of Cubase channel settings including solo/mute, record arm, ‘e’ settings button, automation read/write, pan and VSTi editor
• Full Cubase EQ section in hardware with 12 dedicated rotary encoders, with mode selection and bypass switches
• User-assignable section with Cubase-integrated presets for Control Room studio sends and monitoring setup.

CC121 will support Windows XP Windows Vista and Mac OS X, and will be available in Q3 2008 with price TBA.