2015 NAMM Show: Moog Music today announced that it is reintroducing the classic Moog Modular synthesizer, including three iconic systems: the System 55, the System 35 and the Model 15.
These three modular synthesizer systems were originally created and manufactured by Moog in 1973. Moog plans limited run manufacturing of the three systems, using the same parts and techniques that were used to build the originals.
Here’s Moog’s take on why they are reintroducing the Moog Modular:
The reintroduction of these instruments is not about reliving the past – while much incredible work has been done with the Moog Modular, there is so much further yet to be explored in this relatively young instrument. Artists had only begun to grasp the vast possibilities of these large format modular synthesizers when they went out of production over thirty years ago.
Decades of electronic experimentation have enabled musicians to move on from viewing the Moog Modular as a replacement for traditional instrumentation. Now a new generation of artists, with a greater understanding and more complex tools, will have the opportunity to explore the power of these singular sonic machines.
Today, the modular synthesizer is viewed in the manner Bob Moog originally intended: to “discover endless offbeat, unconventional, and even irrational ways of working.”
Here’s their intro video for the new modular systems: Continue reading
“The Steiner filter is a unique filter for sound shaping that synthesists have long admired for both its warmth and quirkiness,” notes SSL’s Doug Slocum. “Invented by Nyle Steiner in the early 1970’s, this filter was used in Nyle’s Synthacon synthesizer line.”
The 1021 has HP, BP & LP inputs, not the outputs that are typical of 2-pole State Variable type filters. The inputs on the 1021 allow for all sorts of CUTOFF (center frequency) controlled “mixing” of input signals.
Due to the unique way its inventor injected the inputs into the internal signal path, they tend to slightly interact with each other and the control voltages, making the 1021 a bit more organic and unpredictable than many other synth filters. The RESONANCE also interacts with the CUTOFF adding an additional natural touch and warmth. Continue reading
Synthesizers.com has been teasing out information on a new line of modular control keyboards for modular synthesizers.
In a post on Facebook, Synthesizers.com’s Roger Arrick asks:
What if controllers were modular too?
Then we could treat controllers just like the modular system itself.
Move things around as needed, build up a completely custom rig that suits our own purposes. For example, what if we could add a wheel controller to any side of the keyboard, as many as we wanted?
Here are some examples of how you can customize the controller: Continue reading
The C105 VC Noise / Lo-Fi Machine is a voltage-controlled analog sample rate reducer, with an internal white noise generator.
This module is based on a Sample and Hold, designed to work at audio rates. The internal clock runs from 250Hz up to 40KHz and can be voltage controlled. This wide frequency range and two FM inputs ( one with a reversible attenuator ) allow to create subtle digital effects or harsh and Lo-Fi sounds.
The internal noise generator, in combination with the S&H, can be used to create pitched noise, useful for synthesizing drums sounds, drones and sound effects.
In addition, there is also a first order passive high-pass filter with an independent output.
- Internal white noise generator.
- CV controlled sampling frequency.
- Frequency range : 250Hz to 40KHz ( down to 10Hz using CV )
- Passive first order high pass filter.
- The Lo-Fi input is normalized to the internal noise generator.
- This module is built using high quality electronic components, Switchcraft jacks, NKK switches, Cosmo knobs (the same used in the Moog Modulars) , black anodized aluminium front panel ( like the original Moog Modulars )….