Here’s what he has to say about it:
“A few months back, I reviewed the Novation Bass Station II for Keyboard Magazine.
As modern analog synths go, the BSII packs a lot of analog power into a small footprint. So while I had it in my studio, I couldn’t resist snagging a few samples of it to share with everyone.
For those who aren’t up to speed on the Bass Station II, it’s a dual-oscillator analog monosynth with a sub-oscillator and tons of nifty filtering modes, along with a nasty little distortion. As the name implies, it excels at bass, so that’s the focus of this new pack.” Continue reading
Surreal Machines,a new company co-founded by Ableton’s Matt Jackson and collaborator Pete Dowling, has released Dub Machines – Analog Echoes in Live, a new pack of two Max for Live delay effects, Magnetic and Diffuse.
Modeled on classic tape-echo machines, Magnetic features multiple physical tape models and three virtual tape heads to choose from. Using convolution reverb, impulse responses from a variety of classic reverbs and machine noises are also available. Continue reading
Cluster Sound has released a massive Ableton Live Pack, based on the OSCar, an iconic vintage British synth.
Here’s what they have to say about it:
Oscar is based on 64 multi-sample recordings and 285 WAV effects and loops obtained by stressing the subtractive/additive oscillators through the split personality filter.
This Live Pack delivers 271 Instrument Racks, 161 Live Clips and 5 meticulously crafted Audio Effect Racks, an ultra-flexible package delivering one of the coolest vintage synth ever made.
Audiomodern has announced the latest in a series of free Ableton Live Racks, Rhythmic Pan.
Rythmic Pan is a Live Rack with time Sync and time delay options on macro knobs.
It joins Audiomodern’s other free Live Racks, which include a hard snare compressor rack, a rack based on the HAAS effect (an effect for localizing sounds) and a dry/wet rack.
See the Audiomodern site to download.
This morning Ableton debuted its new documentary, featuring Hendrik Weber, aka Pantha du Prince, collaborating with The Bell Laboratory in a performance of Terry Riley‘s seminal minimal composition, In C, at London’s Barbican Theatre.
Riley’s In C, composed in 1964, consists of 53 musical phrases, to be played by any number of people on any instruments. The phrases are to be played by each musician any number of times, as long as the musicians stay within a few phrases of each other. Because of the compositional rules of the work, performances can be very different in sound an length.
Members of The Bell Laboratory play the piece on a broad range of percussion instruments. Weber uses Ableton Live on his laptop and samples and loops the percussionists’ instruments, adding his performance to the minimalist classic.
Ableton Live Trainer Rishabh Rajan shared his EDM/K-Pop cover (with vocalist Sachié Amira) of Let It Go and has released the Ableton Live session as a free download.
“The vocal processing is all native to Ableton Live, so it may be worth checking out how it was done,” notes Rajan. “No third party plugins in the session so anyone with Live Suite can download it.” Continue reading