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Ableton

Articles about Ableton:


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This video takes a look at how to extract a groove in Ableton Live 8. Read more…

 

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7aliens’ Catanya is a polyphonic pattern-based software arpeggiator VSTi MIDI plugin.

It retails for about $70.

Features:

  • next generation pattern arpeggiator
  • easy to use
  • fully editable patterns
  • multiple instances
  • 9×32 note matrix
  • 1100 presets (music phrazes)
  • supports recording final output into DAW for additional editations
  • presets browser with ability to choose genre, style, rhythm, instrument, tempo
  • applicable with any VSTi plugin or external HW synthesizer (via DAW’s midi out)
  • unique AI Random functions for making unique velocity Groove
  • realtime velocity spread
  • support Cubase, Ableton Live, Reaper, FL Studio, Mackie Tracktion, NI Kore 2, EnergyXT

Predefined Presets
By Musical Instrument

  • Basic Arpeggios 54
  • Basses 386
  • Drums&Percussion 101
  • Guitars 50
  • Pads 27
  • Pianos 262
  • Strings 31
  • Synth 217

By Music Style

  • Dance 330
  • Classical 19
  • Free (Universal) 192
  • Funk 27
  • Jazz 48
  • Pop 147
  • Rock 93
  • Urban (Hip Hop, R&B) 155
  • World 123
 

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Sunday Synth Jam: This is a very nicely realized switched on realization, in the style of Wendy Carlos, of J. S. Bach’s Gavotte from Orchestral Suite no. 4 in D. Read more…

 

http://www.vimeo.com/5847935

Arthur July demos the ARP Quartet synthesizer.

The ARP Quartet was made by Italian synth manufacturer Siel as the Siel Orchestra. ARP sold the synth as the Quartet.

The ARP Quartet specialized in four synth sounds: strings, brass, organ and piano, and offered 6-voice polyphony.

If you’ve used the ARP Quartet (or Siel Orchestra) leave a comment with your thoughts! Read more…

 

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Dubspot Instructor Michael Hatsis shows the fundamentals of making an electronic dance music style build in Ableton Live 8.

Part 1 covers pitch effects and filter effects using the Simpler instrument. Read more…

 

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      I usually start off figuring out a palette of sounds. You have to limit the palette, because otherwise you’ll spend all your time playing around with synths and sounds and never getting any work done. — Hans Zimmer

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