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Albino

Articles about Albino:


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How to Use a Subtractive Analog Synthesizer is a short section taken from a commercial video series on the principles of subtractive synthesis.

via metakinetics:

This is a brief sample of an extensive introductory video tutorial on the principles of subtractive synthesis. Knowing these principles is essential to creating the evolving sounds often heard in various forms of electronic music. This video tutorial uses the Logic ES1 and ES2 as example virtual instruments to demonstrate the principles. Topics covered include signal flow, waveforms, filters, envelopes and LFOs.

This is a great video to get you started with one of these instruments: LinPlug Albino, Native Instruments Massive, Native Instruments Pro-53, Propellerhead Reasons Subtractor, Ableton Live Operator, Ableton Live Analog, Moog Voyager, Dave Smith Evolver, Prophet 5, Alesis Andromeda, Access Virus, Nord Lead Waldorf Q, Alesis ION, Alesis MICRON, Logic ES1, Logic ES2.

 

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Jeff Rona discusses the use of Rob Papen synths while making a new film score.

via robpapen

 

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In this official Rob Papen video, Anthony Kilhoffer demonstrates how he uses Rob Papen synths making a new remix.

via robpapen

 

Pro-Sounds has announced the immediate availability of two new sound-sets: Yemski Sound-Scapes (for Albino 3) and 1984 (for PPGWave 2.v).

1984, a bank of 128 presets by sound designer Bryan “Xenos” Lee, combines the distinctive, characteristic sounds of the 1980’s with his own somber, chilling creations that reflect the dystopian world described in George Orwell’s classic novel.

Yemski Sound-Scapes is the latest combination of Yemski’s ambient textures and creative synth programming with the power layering and modulation capabilities of Albino 3. Yemski Sound-Scapes contains 128 presets, in Albino 3 FXP format, that aim to add depth, atmosphere, and complex motion to the electronic music producer’s arsenal.

Each bank is available for $19.95 for new customers. Registered Pro-Sounds customers may take advantage of the 20% loyalty discount received via email.

 

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      Translator

      something to think about

      As for the future of electronic music, it seems quite obvious to me that its unique resources guarantee its use, because it has shifted the boundaries of music away from the limitations of the acoustical instrument, of the performer’s coordinating capabilities, to the almost infinite limitations of the electronic instrument. The new limitations are the human ones of perception. — Milton Babbitt

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