Sunday Synth Jam: Here’s a glitchy jam via Chris Randall (Sister Machine Gun, Audio Damage).
Technical details below: Continue reading
Chris Randall – Ripspace
2
Tag Archives: Audio Damage
Audio Damage Bitcom Now Available To Bang Your Bits
Audio Damage has released Bitcom – a new ‘bit bashing step sequencer with attitude.’
Here’s what they have to say about it:
There are subtle plug-ins you put on the two-buss to give a nice gentle vibe to a track. Bitcom is not one of those. There is no “analog modeling” in this effect. There is no warmth or tube saturation. It is utterly devoid of anything to which the word “vintage” can be applied. Bitcom is a modern bit-shredding digital banshee that beggars description and lives on the edge of instability.
In a nutshell, a step sequencer drives a custom-designed bitcrusher, with a synth sidechain. But that sentence doesn’t begin to describe the abuse that Bitcom is capable of. We pulled out every trick in the book to build a modern electronic music effect that can turn even the most sedate input in to a swinging, screaming pain-monkey, wreaking havoc on lesser sounds.
Audio Damage Intros Bitcom, ‘A Modern Bit-Shredding Digital Banshee’
Audio Damage has announced Bitcom – ‘a modern bit-shredding digital banshee’.
Here’s what they have to say about it:
There are subtle plug-ins you put on the two-buss to give a nice gentle vibe to a track. Bitcom is not one of those. There is no “analog modeling” in this effect. There is no warmth or tube saturation. It is utterly devoid of anything to which the word “vintage” can be applied. Bitcom is a modern bit-shredding digital banshee that beggars description and lives on the edge of instability.
In a nutshell, a step sequencer drives a custom-designed bitcrusher, with a synth sidechain. But that sentence doesn’t begin to describe the abuse that Bitcom is capable of. We pulled out every trick in the book to build a modern electronic music effect that can turn even the most sedate input in to a swinging, screaming pain-monkey, wreaking havoc on lesser sounds.
Audio Damage Intros Kombinat Dva Multi-Band Distortion Effect
Audio Damage has released Kombinat Dva – a multi-band distortion effect plug-in for Windows and Mac.
Here’s how they describe it:
From mild tone-shaping or adding a bit of grit to full-on total waveform destruction, Kombinat Dva, the long-awaited sequel to our popular Kombinat plug-in, is a complete toolbox of sonic warfare.
With 13 different options in each of the three distortion engines (plus pass-through), Kombinat Dva is capable of sophisticated and unique sounds. Want to add a ring mod to the low end, a mild tube clip to the mids, and a bit-reduction algorithm to the high end? No problem. Want to run your signal through three sine-warps or fuzz algorithms in series? This is your box.
Kombinat Dva is available now for $49. Details below.
Audio Damage Filterstation Overview
This is a quick video demo of Audio Damage Filterstation - the Audio Damage take on the classic serial/parallel/stereo dual filter topology made famous by the Sherman Filterbank and its many clones.
Features:
- Twelve different filter algorithms, including two all-new MS20 emulations and our classic 914 bandpass and Filterpod lowpass models.
- VCA mode for tremolo and gate effects.
- LFO with twelve different patterns, and both internal and tempo sync modes.
- Envelope follower for dynamic control of filter frequency.
- Serial, parallel, and true stereo operating modes.
- Sidechain input for external signal to envelope follower. (VST3 only.)
- Easy-to use interface for quick programming.
Filterstation for Windows and Mac (VST3/VST2/AU) is now available for US $49. See the Audio Damage site for audio demos.
Audio Damage Filterstation Now Available
Audio Damage has released Filterstation for Windows and Mac.
Filterstation is the Audio Damage take on the classic serial/parallel/stereo dual filter topology, made famous by the Sherman Filterbank and its many clones.
Features:
- Twelve different filter algorithms, including two all-new MS20 emulations and our classic 914 bandpass and Filterpod lowpass models.
- VCA mode for tremolo and gate effects.
- LFO with twelve different patterns, and both internal and tempo sync modes.
- Envelope follower for dynamic control of filter frequency.
- Serial, parallel, and true stereo operating modes.
- Sidechain input for external signal to envelope follower. (VST3 only.)
- Easy-to use interface for quick programming.
Filterstation for Windows and Mac (VST3/VST2/AU) is now available for US $49. See the Audio Damage site for audio demos.