At the 2014 NAMM Show, M-Audio introduced the M-Track Quad – a four-channel USB audio/MIDI interface.
Four inputs accommodate any source, from phantom-powered microphones to guitar. Plus, each input comes equipped with its own insert jack for integrating effects. Continue reading
Ad the 2014 NAMM Show, M-Audio introduced the M-Track Eight, an eight- channel, 24-bit USB audio interface designed for expanded recording capabilities with a low-noise signal path, 111 dB SNR, and zero-latency monitoring. Continue reading
At the 2014 NAMM Show, Universal Audio introduced the Apollo Twin High-Resolution Desktop Interface with Realtime UAD Processing. The 2×6 Thunderbolt audio interface for Mac combines the 24/192 kHz audio conversion of Universal Audio’s Apollo series with onboard Realtime UAD SOLO or DUO Processing.
The Apollo Twin allows Mac users to record in real time (at near-zero latency) through the full range of UAD Powered Plug-Ins available in the UA Online Store, including titles from Neve, Studer, Manley, Lexicon, API and more.
Apollo Twin also introduces new Unison technology – which uses Apollo’s mic preamps and its onboard UAD plug-in processing to recreate the tone of classic tube and solid state mic preamps, including their impedance, gain stage ‘sweet spots,’ and component-level circuit behaviors.
Apollo Twin will ship with Universal Audio’s Realtime Analog Classics UAD plug-in bundle, featuring legacy editions of the LA-2A Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, plus Softube Amp Room Essentials, the all-new 610-B Tube Preamp plug-in, and more. Continue reading
At the 2014 NAMM Show, Behringer introduced the U-PHORIA UMC404 4×4, 24-Bit/96 kHz USB Audio/MIDI Interface.
The U-PHORIA UMC404 is a USB audio/MIDI interface that offers 4 MIDAS-designed mic preamps, which include +48 Volt phantom power for condenser microphones, all going through studio-grade 24-Bit/96 kHz converters. Continue reading
2014 NAMM Show: Behringer introduced the U-PHORIA UMC1820, a $200 18×20, 24-Bit/96 kHz USB Audio/MIDI interfce with 8 MIDAS mic preamplifiers. Continue reading
2014 NAMM Show: Alesis has announced the new CORE Series of
24-bit USB Audio Interfaces.
The audio interfaces offer XLR+1/4″ combo inputs, Mic/Line or Guitar level switching, headphone outputs with level controls for efficient monitoring, and each model ships with Cubase 7 LE.
- CORE 1, a single input/dual output inline interface, is designed for on-the-go recording or as an entry-level option.
- CORE 2 offers both audio and MIDI connections for full studio integration.
- CORE 8 is an eight-channel rack mount interface suited for live or studio applications.
In the latest episode of Sonic Touch, Gaz Williams and Nick Batt take a look at the new iConnectivity iConnectMIDI 2+.
The iConnectMIDI 2+ may be a little awkwardly named, but it offers some very interesting features – including Audio PassThrough, which lets you digitally send the audio from your iPad directly into your computer DAW.
And, at least according to Batt & Williams, the iConnectMIDI 2+ is an actual ‘game changer’. Continue reading
With a four-input USB audio interface called Quartet, and a newly-updated one-input interface called ONE, it should come as no surprise to readers that Apogee Electronics’ new two-input (four-output) USB audio interface is christened Duet.
The Duet audio interface for for iPad and Mac makes a direct digital connection to Apple’s iPad (iPhone, iPod touch) and Mac, and features Apogee’s Maestro control software, iOS device charging, and MIDI connectivity. The updated Duet debuted at The 2013 Winter NAMM Show.
When used with iPad or an iOS device, Duet works with any Core Audio compliant app like GarageBand, Auria and MultiTrack. For recording on a Mac, Duet works with Logic, Pro Tools, GarageBand, Ableton Live and any Mac Core Audio compliant application. Continue reading