Free Update Lets MOTU Audio Interfaces Stream Up To 64 Audio Channels Over Ethernet

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MOTU has announced a free firmware update for the 1248, 16A, 8M and other current-generation audio interfaces that lets you stream up to 64 channels of audio, at sample rates up to 192 kHz with low latency, over Ethernet to your Mac.

Firmware update 1.2.5 supports AVB/TSN Ethernet, letting you connect your MOTU interface to the Mac using a standard CAT-5e or CAT-6 Ethernet cable up to 100 meters long and stream up to 64 audio channels to and from audio applications running on the Mac at sample rates up to 192 kHz with low latency. Any recent-generation Mac with a built-in Ethernet port running OS X 10.11 is supported. Continue reading

Focusrite Intros 58-in, 64-out Red 4Pre Flagship Audio Interface

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Focusrite has introduced the Red 4Pre, a new ‘flagship’ audio interface that offers 58-in, 64-out IO, four digitally controlled ‘Red Evolution’ preamps, plus high-headroom instrument inputs, a new high-performance conversion system, and Thunderbolt 2, Pro Tools HD DigiLink and Dante network connectivity.

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M-Audio Intros M-Track Audio Recording/Monitoring Interfaces

m-track-audio-interfaceAt the 2016 NAMM Show, M-Audio announced the introduction of the latest versions of their M-Track audio recording/monitoring interfaces.

There are five models in the family. The first four models have full 24-bit studio-quality audio performance, along with a pro-grade rugged all-metal chassis, high-headroom pre-amps and class-leading audio performance on the inputs.

The top model—the M-Track 1212 12-in/12 Out USB-C High Speed Audio Interface—boasts 32-bit 192kHz studio-quality audio Continue reading

Tracktion Copper Reference Stereo I/O Interface Is ‘Bonkersly Good’

At the 2016 NAMM Show, Tracktion was showing its upcoming Copper Reference Stereo I/O Interface.

With the Copper Reference, Tracktion did not want to duplicate the many existing mainstream audio interfaces. Instead, they wanted to apply ‘American hot rod mentality’, to creating a boutique, high-end stereo interface.

In this video, from the NAMM Show floor, Tracktion’s James ‘Woody’ Woodburn gives us the details on the Copper Reference.

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iConnectivity Intros 2-in, 6-out iConnectAUDIO2+

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At the 2016 NAMM Show: Interface maker iConnectivity has announced the iConnectAUDIO2+, the latest in their series of “next-generation” audio and MIDI interface for Mac, PC, and iOS.

iConnectAUDIO2+ accommodates mics, synths, MIDI, instruments, speakers, headphones, and up to two computer devices at one time (Mac/PC/iOS). The interface features two premium combo inputs and six outputs, including an independent headphone mix and assignable direct monitoring. iConnectivity’s unique Audio and MIDI “passThru” technologies allows flexible routing between everything connected.

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Keith McMillen Instruments’ K-Mix: a closer look

K-Mix_whitebg_rightsideforward_02 After being previewed at The NAMM Show last winter, Keith McMillen Instruments’ new mixer / audio interface / MIDI controller, the K-Mix, began shipping last week.

We got to see an early K-Mix prototype at the 2015 Winter NAMM, but Synthtopia staff won’t have a chance to see the finished version of the product until later this week at the 2016 NAMM Show.

In the meantime, author and research engineer Gina Collecchia has had a recent extended opportunity to check out and work with the K-Mix.  She offered to share her impressions and findings with Synthtopia readers:

“The K-Mix mixer by Keith McMillen Instruments is an innovative mixing interface, with a lot of features.
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Keith McMillen Instruments K-Mix Audio Interface, Control Surface & Programmable Mixer Now Available

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Keith McMillen Instruments has announced that the K-MIX, a new Mac OS X-compatible audio interface and programmable mixer, is now available.

The K-Mix looks different than other mixers and it’s because KMI founder Keith McMillen wanted a mixer that was different than the mixers that were available. “I needed a very special mixer that did not exist,” explains McMillen, “a fully-programmable, MIDI-controlled, ultra-high-quality portable mixer.”

“Not having a mixer that could do all of this, when wanting to play live in a group without a sound man, was heartbreaking,” adds McMillen. “K-MIX had to be capable of tying all of my needs together — from live inputs to USB interfaces — to then operate as a fully-programmable stage mixer.”

The K-Mix is ‘not your grandma’s mixer’, according to KMI.  It has no moving parts, so it can be used as a portable mixer, without the fear of snapping off a fader or knob, while still giving you top audio quality, mixer functionality and control. Continue reading