berlin school
Articles about berlin school:
Berlin School Synth Jam
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Filed under: Electronic Instruments, Keyboard Synthesizers, Synthesizers
Sunday Synth Jam: This Berlin School style sequenced synth jam takes a few minutes to take off – but then the hypnotic synth sequences and guitar work really kick in.
via angelometz:
I started patching it when the power went down. I finished patching in the dark!
Synth music pioneer Klaus Schulze discusses and demonstrates his first synth, an EMS Synthi A analog synthesizer. Read more…
It’s Sunday! That means we take a slight break from the non-stop electronic music news coverage and break out the Sunday Synth Jams – new and classic examples of musicians making interesting music with synths and electronic music gear.
You may have seen this one before, because it’s a vintage synth jam from 1977. But it’s Klaus Schulze at his Moogtacular prime…..
If you ever need a definition of Berlin School electronica, this is it!
Tune in, turn on and space out as Klaus Schulze plays live, WDR Köln 1977.
For Schulze fans only: Leave a comment and let me know what your favorite Schulze album is! Read more…
Moon Modular M569 Sequence Mode
Sunday Synth Jam: This is a demo/Berlin School synth jam of the Moon Modular M569 Quad Sequential Voltage Source [Sequence Mode].
See the Moon Modular site for details on the M569. Read more…
This is a teaser video for Retrotech, an electronic music concert composed and performed live by keyboardists Carlos Trilha and André Dessandes.
Retrotech recalls the “belle epoque” of electronic music.
Details:
On stage, Trilha and Dessandes use synthesizers, analogue sequencers and drum machines from the 70’s and early 80’s. These historical instruments evoke the origin of characteristic electronic sounds that are now widely used in many types of pop and electronic music.
A unique detail of this production is that they do not use loops or sound libraries. All the sounds are created from real instruments and are first generation, allowing Retrotech to make a striking reinterpretation of the classic sound of electronic music.
In addition, Retrotech also uses a special set of projection images from generative code (created in real time), synchronized by software written with MAX/MSP/JITTER by ALESSANDRA MARFISA specially for each performance.
