Featured events will include hands-on demonstrations of interfaces for interactive sound and performance, a public dialog on spatialization featuring electronic music pioneers Annette Vande Gorne and Joel Chadabe, a competition pitting teams of sound designers and engineers against the clock to create new performance interfaces, an exclusive preview of new developments in the Kyma sound design language, concerts of new music inspired by the Belgian painter René Magritte, live Kyma electronics spatialized through a 70+ speaker Acousmonium in the Espace Senghor, and an installation in the ISIB foyer where visitors (tracked by a Kinect camera) will create a continuous, collaborative soundscape. Continue reading
Processing is free and open source, and runs on the Mac, Windows, and GNU/Linux platforms.
Here’s what the developers have to say about the new release: Continue reading
Keith McMillen (right) has been exploring new ideas for electronic music instruments for nearly 35 years, starting in 1979 with his company Zeta Music and more recently with Keith McMillen Instruments. His most recent creations are the QuNeo and QuNexus controllers, both developed using a ‘crowdfunding’ approach.
Synthtopia’s Elisabeth Lewin talked with McMillen about new instrument design, new music and how they intersect.
Synthtopia: Over the last 35 years, you’ve designed new electronic stringed instruments, MIDI mixers, created high-tech violin bows, MIDI foot pedals, a pad controller and now the QuNexus keyboard controller. Why focus on new instruments?
Keith McMillen: Being able to transition from amplified acoustic instruments into a new era of music where the computer is an interactive participant in a performance is significant.
Pretty much everything is organized around the theme of being able to play live computer music in an ensemble. It’s a complicated request that requires many components. And I’ve been chipping away at it for 30+ years. The vision gets clearer as I get closer to the goal.
Synthtopia: It seems, with Moore’s law, that what is possible grows exponentially each passing year. Does your vision of an electronic music ensemble broaden or narrow as the technology gets better? Continue reading
The New Sound of Music is a vintage BBC documentary (1979) that looks at the development of recorded music, from the first barrel organs, pianolas, the phonograph, the magnetic tape recorder on to the concepts of musique concrete and electronic music.