copyright

The Electronic Frontier Foundation (EFF) urged a federal court Wednesday to “reject bogus copyright claims” from the music industry that could meant that you could get charged a performance fee every time your cell phone rings in public. Read more…

This video captures Michael Masnick’s Learning From What’s Working: Success Stories From The Music Commerce Frontier.

Masnick is the founder of TechDirt – a technology blog that has been a vocal critic of the music industry’s approach to technology, especially DRM and its opposition to P2P file sharing.

You can safely skip the first 2 1/2 minutes – but the rest is must-view material for musicians.

Masnick relies way too much on the example of Nine Inch Nails’ Trent Reznor and other musicians that were established by the traditional music industry.

More interesting are Masnick’s examples of the creative and bizarre ways musicians are connecting with fan.

Give it a view and leave a comment with your thoughts!

Moby reacted to the nearly $2 million judgment against Jammie Thomas-Rasset of Minnesota for file sharing 24 songs yesterday, calling for the RIAA to be disbanded:

argh. what utter nonsense. this is how the record companies want to protect themselves? suing suburban moms for listening to music? charging $80,000 per song?

punishing people for listening to music is exactly the wrong way to protect the music business. maybe the record companies have adopted the ‘it’s better to be feared than respected’ approach to dealing with music fans. i don’t know, but ‘it’s better to be feared than respected’ doesn’t seem like such a sustainable business model when it comes to consumer choice. how about a new model of ‘it’s better to be loved for helping artists make good records and giving consumers great records at reasonable prices’?

i’m so sorry that any music fan anywhere is ever made to feel bad for making the effort to listen to music.

the riaa needs to be disbanded.

$2 million for sharing three albums worth of songs is clearly insanity.

Using your public user ID to share music illegally, covering up your tracks by replacing your computer’s hard drive, lying about it and then not settling out of court when you’ve got no case is insane, too.

There are going to be a lot of musicians that say they don’t want to be any part of this insanity.

If Moby really wants to make the RIAA irrelevant, though, he should follow the example of Nine Inch Nails, whose free albums releases and Creative Commons licensing have led to huge sales.

DJ Spooky (Paul Miller) talks about the history of media and thoughts about media in culture.

He discusses and demonstrates the unexpected side effects of free speech, law, and copyright while showing the power of remixed art.

Miller always has interesting ideas and is a great advocate of free culture, but don’t expect him to connect all the dots!

via UNCChapelHill

Die Mensch Maschine got rebuffed by a court in Germany, which told electronica pioneers Kraftwerk that Moses Pelham did not violate their copyrights by using an unauthorized sample of one of their songs, Metal on Metal, in one of his productions.

The ruling overturns an earlier decision against Pelham.

Judges in Berlin said the two second extract did not infringe copyright, as Pelham’s song was substantially different.

While the decision is a victory for people that want to creatively remix and recycle culture, it also increases the likelihood that Kraftwerk’s songs, or your songs, are going to be used as the backing track for a lame, derivative hip-hop track. 

What do you think of this decision?

via BBC

Image: yamchild