Modern Beats has introduced its first electric bass sample library, Tru Bass 1 - Electric Six. The entire bass library is 425MB in size and contains over 500 unique, bass guitar samples. ‘Tru Bass 1′ comes in 6 auto-loading software sampler formats plus WAV file format. This sample-packed, multi-velocity layered soundset features a rich, smooth, [...]
- The Top 100 DJs In The World - 32 comments
- Koyaanisqatsi - 16 comments
- Beardyman Makes Synthesizers, Drum Machines, Musicians Obsolete - 14 comments
- Are Any McCain Supporters Electronic Music Fans? - 12 comments
- Tom Whitwell Just Killed The Arturia Origin's Buzz - 11 comments
- What's Wrong With This Picture? - 11 comments
- How To Make A Crappy Electronic Music Video For $0.00 - 11 comments
- This Video May Ruin Your Life - 10 comments
- Another Batch Of Great Electronic Music From Synthtopia Readers! - 10 comments
- Can You Tell When She's Faking It? - 8 comments
Admin Login
Search
something to think about
I rarely talk to young musicians, but I talk to many young painters, because I teach in art schools. I ask them: Why do you think that what you do ends at the edges of this canvas? Think of the frame. What frame are you working in? Not just that bit of wood round the edge, but the room you’re in, the light you’re in, the time and place you’re in. How can you redesign it? I would say that to musicians, too. I see them spending a lot of time working on the internal details of what they’re doing and far less time working on the ways of positioning it in the world. By “positioning it” I don’t only mean thinking of ways of getting it to a record company, but thinking of where it could go, and where it fits in the cultural picture - what else does it relate to?
— Brian Eno



Latest Comments