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electronic music

Articles about electronic music:


twitter-music-140-charactersCould you score a piece of music with 140 characters or less?

Supercollider 140 is a free album of Twitter music – audio pieces composed of Twitter-sized snippets of SuperCollider code.

It started as a curious project, when live coding enthusiast and Toplap member Dan Stowell started tweeting tiny snippets of musical code using SuperCollider. Pleasantly surprised by the reaction, and “not wanting this stuff to vanish into the ether” he has recently collated the best pieces into a special download for The Wire’s online readership here.

Many of these pieces are actually generative, so if you re-run the source code (the track titles) you get a new piece of music.

The compositions are self-referentially named, with titles like:

{LocalOut.ar(a=CombN.ar(BPF.ar(LocalIn.ar(2)
*7.5+Saw.ar([32,33],0.2),2**LFNoise0.kr(4/3,4)*
300,0.1).distort,2,2,40));a}.play//#supercollider

Tweet that and put it in your SuperCollider!

You can preview the album below, or download it at the Internet Archive:

Detailed artist biographies for the composers are available at The Wire.

via SuperCollider

 

free-music-download

Free Music Friday: Have you had your recommended daily supply of free music yet today?

If not, click on the “Listen” link at the top of the page or click right here and check out the hundreds of tracks that Synthtopia readers have uploaded.

There is a ton of great music, and you can download hundreds of tracks, too.

Check it out every time you visit; there’s always something new. You can even keep listening after you leave!

And if you want to share your music with Synthtopia readers, upload your tracks via SoundCloud.

Image: lyzadanger

 

http://www.vimeo.com/5932721

We’ve been pretty easy with you lately with our music video selections – but this video may have you running for the sanitary eye wash.

Cotton Museum’s Pus Pustules video promo is sort of NSFA (not safe for anywhere/anyone).

It appears to have been filmed in Disgust-o-rama. Appreciation of this video style is probably limited to fans of David Lynch’s Eraserhead. But it’s got a”throbbing cesspool” of electronic sound.

Here’s what those responsible for Pus Pustules have to say for themselves:

“PUS PUSTULES” is one of the most diseased COTTON MUSEUM recordings to date.

Clocking in at 21 minutes on side A, adorned with with a detailed etching of sickly beasts on side B and a five color silk screened album cover designed by Chris Pottinger. Theremin, Synth, and other odd electronic instruments create a bubbling cesspool of rotting sounds that leak from your stereo speakers like a cancerous sludge. Take a trip through a strange world where you can hear these sickly beasts devouring corpses while insects sting their bodies, leaving them covered with infected welts.

Cotton Museum is a solo electronic noise project from visual artist Chris Pottinger that has been performing for the past seven years.

Limited edition of 400 hand numbered copies, black vinyl with thick chipboard album cover.

Yum!

More info at TastySoil.com

 

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This set of videos features Richard Devine demonstrating the techniques that he and Josh Kay used in capturing sounds for the sample kit Richard Devine – The Electronic Music Manuscript. Read more…

 

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Raul Pena’s The Making of Raul’s World of Synths is a short documentary, created as a school project, that outlines Pena’s process for creating his synthesizer podcast, Raul’s World Of Synths. Read more…

 

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      Translator

      something to think about

      Part of being a successful artist is to make amazing art, seemingly effortlessly. But this is the rub: to make amazing work you have to make a lot of stuff that kinda sucks.

      That may seem obvious, but when you reach a place where you’re work is selling at a consistent pace and supporting yourself and your, ahem, habits, it’s very easy to feel like you’ve got it all dialed out.

      Making work that sucks suddenly doesn’t seem like an option, it feels like a waste of time.
      — Whitney Smith

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