experimental electronic music

Jeki Zaborov in Zimmer Tel Aviv peforms Blow Job V, by Wojciech Kosma, a performance art piece that explores microphone feedback, modulated by the proximity of the performer’s mouth.

via thejobblow

Experimental musicians and instrument inventors John Berndt and Neil Feather have developed their own musical language since 1992 as THUS.

Here they perform Helecopter Soufflé in Baltimore, 2008. Neil Feather plays his Vibro Wheels and Melocipede instruments and John Berndt also plays Vibro Wheels.

via highzerofoundation

This video, Steve’s Vinyl Chops, demos physical mashups – music collages created by physically chopping up records, reassembling them and then using them to DJ.

Anyone ready to trade Traktor or Ableton Live for this?

via CrateKings

Seokhwan Cheon’s Touch Me.

While touching water with a hand, audiences feel interesting visual and sound.

via wired

This is a video of composer/performer D. Andrew Stewart playing his composition “Everybody to the power of one” on a soprano T-Stick, which he calls the “sonar jo,” at the SAT in Montréal.

The T-Stick is a digital musical instrument designed by Joseph Malloch and built in the Input Devices and Music Interaction Lab at McGill University. Andrew was a collaborator on the T-Stick project, along with percussionist Fernando Rocha, pianist Xenia Pestova and cellist Erika Donald.