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generative visuals

Articles about generative visuals:


http://www.vimeo.com/5802992

Here’s a video update from Glenn Marshall of his Zio generative music video application.

Gorgeous, isn’t it? Read more…

 

http://www.vimeo.com/5374242

This is a teaser trailer for Glenn Marshall’s iPhone music visualization application, Zio.

Marshall is known to Synthtopia readers for his amazing generative music videos. Read more…

 

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Glenn Marshall – The Nest That Sailed The Sky, Computer-generated Visualisation 2009

Glenn Marshall does something that few video artists do – he makes abstract videos, based on generative processes, that are full of beauty and wonder.

His work is almost a visual analogy to Brian Eno’s work with generative music.

This is his video for Peter Gabriel’s The Nest That Sailed The Sky.

Details on Marshall’s video below. Read more…

 

Wired has an interesting look at NIN’s stage show, looking at how the band uses old and new technology to create spectacular images live:

 

With more than 40 tons of lighting and stage rigging, hundreds of LED lights, a daunting array of professional and custom-built machinery running both archaic and standard commercial VJ software, three different video systems and an array of sensors and cameras, the tour is nothing if not a lavish display of techno wizardry.

According to Reznor, it all started with a relatively simple idea.

“I wanted to see how I could use video as an instrument,” he says, “and try to really make the stage feel like it’s organic — like it’s part of the overall set.”

 

The core of the show is a sophisticated trio of transparent “stealth” screens, which are raised and lowered during the performance.

Using one high-resolution (1024 x 288) Barco D7 screen — basically, an opaque, computer-controlled screen comprised of a tiny LED system on modular panels — and two lower-resolution semitransparent screens up front, Reznor and other band members are able to trigger and control various video loops and effects directly from the stage. The musicians can also interact directly with those visuals onscreen during the show, thanks to a sophisticated array of sensors and cameras.

 

 

The full article is worth a read if your a NIN fan or if you’re interested in state of the art concert visuals. 

Image: mcpancakes

 

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      Translator

      something to think about

      I think generally playing live is a crap idea. So much of stage work is the presentation of personality, and I’ve never been interested in that. — Brian Eno

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