genoQs Machines
Articles about genoQs Machines:
genoQs Machines has released Nemo, a new hardware MIDI sequencer.
Nemo builds on the tradition of real-time MIDI sequencing of GenoQs’ Octopus.
Features:
- 90+ Tactile switches and 9 endless encoders for interactive access
- 93 LEDs (tri-color) used to display both numeric and quantitative data
- 64 pages (i.e. “patterns”)
- 4 tracks per page, 16 steps each
- 4 concurrent pages, i.e. 16 concurrent tracks
- Page tracks freely chain-able to structures of up to 64 steps
- Per track velocity, pitch, length and start factors, MIDI channel and CC
- Individual clock multiplier/divisor per track
- Individual and editable runtime directions per track
- Polyphonic steps, of up to 7 notes (chords or multi-trigger)
- Track self modulation, via step events
- Cross modulation of tracks (via the Effector)
- MIDI note and CC recording and playback per track
- 32 MIDI channels via 2 dedicated MIDI ports
Nemo is available now for €1399.
genoQs Intros NEMO Sequencer
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Filed under: Hardware Effects, MIDI Controllers, Sequencers, Software Sequencers
genoQs Machines has announced NEMO, a new MIDI sequencer based on technology from their Octopus sequencer.
Features:
- Unique, high-end design
- Octopus technology at heart
- Portable format
- 16 concurrent tracks
- Intuitive, realtime everything
Pricing is set at 1399 Euros, with availability in July. The site promises more details to come.
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Filed under: Electronic Instruments, Electronic Music & Recording Gear, Music News
The Octopus is a new performance-oriented MIDI Control Sequencer under development by genoQs Machines.
According to genoQs, the Octopus shares some of the design goals as as the desirable but unobtainable Latronic Notron.
“What OCTOPUS and Notron probably share is the goal of to being high-end composition tools for MIDI sequencing. This may explain why the community of interest around OCTOPUS has a substantial share of Notron users. OCTOPUS offers vast live performance capabilities via a “flat” user interface model trying to avoid a much as possible deeply buried features.” Read more…



