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glitchtronica

Articles about glitchtronica:


sg-glitchgate

Free Windows Music Software: Synthgeek has introduced a free glitch music plugin for Windows, sg-glitchgate.

Description:

SG-Glitchgate is basically a rhythmic gate, but not set up in the standard way. There are two periodic gates which can be used for anything from regular rhythmic chopping to random rhythmic manipulations and strange dropouts.

The gates are followed by a delay unit designed to enhance the glitchiness- it does not sync to tempo, and the delay time and gain can be randomized. There are 5 LFOs to add to the fun.

Several presets are included to give you an idea of how things work.

If you give SG-Glitchgate a try, leave a comment with your thoughts!

 

twitter-music-140-charactersCould you score a piece of music with 140 characters or less?

Supercollider 140 is a free album of Twitter music – audio pieces composed of Twitter-sized snippets of SuperCollider code.

It started as a curious project, when live coding enthusiast and Toplap member Dan Stowell started tweeting tiny snippets of musical code using SuperCollider. Pleasantly surprised by the reaction, and “not wanting this stuff to vanish into the ether” he has recently collated the best pieces into a special download for The Wire’s online readership here.

Many of these pieces are actually generative, so if you re-run the source code (the track titles) you get a new piece of music.

The compositions are self-referentially named, with titles like:

{LocalOut.ar(a=CombN.ar(BPF.ar(LocalIn.ar(2)
*7.5+Saw.ar([32,33],0.2),2**LFNoise0.kr(4/3,4)*
300,0.1).distort,2,2,40));a}.play//#supercollider

Tweet that and put it in your SuperCollider!

You can preview the album below, or download it at the Internet Archive:

Detailed artist biographies for the composers are available at The Wire.

via SuperCollider

 

YouTube Preview Image

Oh Land’s Heavy Eyes (official video).

Second single from Oh Land’s debut album Fauna.

 

http://www.vimeo.com/6804974

Bruno Levy took thousands of photographs in Patan, Nepal over the course of a week using flashlights and long exposures.

After getting the nod from Modeselektor and BPtich Control, he created a stop-motion narrative synched to Deboutonner.

 

http://www.vimeo.com/6650195

Music video for Oil In The Eye’s Bluebottle.

 

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      Translator

      something to think about

      Part of being a successful artist is to make amazing art, seemingly effortlessly. But this is the rub: to make amazing work you have to make a lot of stuff that kinda sucks.

      That may seem obvious, but when you reach a place where you’re work is selling at a consistent pace and supporting yourself and your, ahem, habits, it’s very easy to feel like you’ve got it all dialed out.

      Making work that sucks suddenly doesn’t seem like an option, it feels like a waste of time.
      — Whitney Smith

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