Roland has announced a series of Aira House Originator events, in NYC, Minneapolis and Atlanta.
The events will feature Roland’s AIRA Crew and a local originator of a style or movement in electronic music. The ‘originators’ include producers Frankie Bones, Freddy Fresh, DJ Pierre (Phuture) and others.
The events are designed for musicians and music aficionados to be able to learn about both the history and technology of electronic music production and performance. Continue reading
Synth designer Dave Smith (Sequential Circuits, Dave Smith Instruments) is featured in this new interview/lecture from Red Bull Music Academy Tokyo 2014. Continue reading
Last month, we shared news about a rare Helmholtz Sound Synthesizer that was up for auction.
The Helmholtz Sound Synthesizer is considered by some to be the first electronic synthesizer. It uses tuning forks, controlled by electromagnets, to generate fundamentals and overtones, the intensity of which can be varied to create different types of sounds. While it was a synthesizer, it was more a scientific instrument than a musical one.
The Helmholtz Sound Synthesizer above, built around 1905, sold today for US $20,000. Continue reading
In 1988, Akai Pro introduced the Roger Linn-designed MPC 60 MIDI Production Center.
MPC’s went on to change electronic music, becoming a core piece of gear for a wide variety of electronic genres. Continue reading
You Know Films today released this trailer for 808 – an upcoming documentary on the classic Roland TR-808 Rhythm Composer drum machine: Continue reading
This video, via Audiofanzine, captures historian & musician (Moog Cookbook) Brian Kehew talking about the Keith Emerson Moog Modular System. Continue reading
Moog Music today released this mini-documentary to celebrate the 50th anniversary of the Moog Modular Synthesizer.
Fifty years ago, on October 12, 1964, Dr. Robert Moog introduced, at the Audio Engineering Society’s (AES) New York convention, an instrument that would revolutionize the world of music and instrument design.
The Doors’ Jim Morrison, on the future of music, from his perspective in 1969: Continue reading