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joystick

Articles about joystick:


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David Vorhaus Analogue Electronic Music 1979

In this historical video from 1979, American-born UK synth pioneer David Vorhaus talks about two of his analogue inventions – the MANIAC analogue sequencer, and the Kaleidophon. Read more…

 

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This India-inspired electronica jam features electronic tabla driving a DIY sequencer.

Details on the patching and performance controls below. Read more…

 

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This is a demo of the REON driftbox s -01, a compact 2vco+1vcf analog synth made in Japan.

It includes a cross modulation system and Joy Stick controller.

If you have any more info on this mini synth, leave a comment!

via unyo303

 

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This is a demo of the new Voice of Saturn Voltage Controlled Filter – a DIY synth kit to make a modular synth filter – with a joystick!

Features:

  • Voltage Controlled Filter (VCF): Can be controlled with VC inputs (0-5V), joystick or knob (knob acts as an offset voltage). Low pass cutoff and resonance are controllable.
  • Two summing inputs with amplitude controllable by knob or VC (0-5V) input. Final output is similarly controllable.
  • X-Y Modular Joystick: By default the joystick X controls cutoff frequency and Y controls resonance. If a cable is plugged into either the X/Yout or cutoff/resonance VC inputs, the default joystick connection is broken, and it can be used to drive other equipment, or the VCAs for the I/O. If an outside VC or audio signal is connected to the X/Yin of the joystick, the joystick will attenuate that signal instead of the default 5V.

The Voltage Controlled Filter joins earlier Voice of Saturn modules, including the Modulator, Voice Of Saturn Synth & the Voice of Saturn Sequencer.

If you’ve built or used the VOS Voltage-Controlled Filter, leave a comment with your thoughts! Read more…

 

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      Translator

      something to think about

      I always aim to multiply the sound possibilities of each keyboard at least ten times. Once you get to know each instrument, there is really no limit to the possibilities. The first step is to learn the range and capabilities of all the instruments used in a symphony orchestra. Once you’ve mastered that, you can start to do things with the keyboards. The only real problem is that you’ve only got two hands. — Vangelis

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