This video captures synth pioneer Klaus Schulze performing A Crystal Poem and Sequencers are Beautiful.
This 70’s space music retronica pays tribute to its inspiration – artists like Klaus Schulze, Jean Michel Jarre & Michael Hoenig. Indeed, with titles like Semblance of a Mysterious Dream & Mind Floating, some Berlin School fans may find themselves trying to make explicit connections with the music of Loreau’s predecessors. Continue reading
KX-Polymod is a free modular synth for Windows, inspired by Klaus Schulze, who the developer calls “my electronic music reference.
Producer, composer, synthesist and label head Pete Namlook (born Peter Kuhlmann in 1960) died November 8th, 2012, of as-yet unknown causes.
Kuhlmann’s daughter Fabia released a brief statement earlier today:
“It is with much grief that we announce the passing of Peter Kuhlmann, AKA Pete Namlook.
We are still shocked and are working on an official announcement that will follow soon to bring clarity to our minds. As word spreads on the internet more and more we just want to make clear that he died peacefully from as yet unspecified causes on 8th November 2012.
We will announce more details as and when they surface.”
Namlook was extremely prolific, releasing dozens of solo albums and releases with collaborators Klaus Schulze, Gaudi, Bill Laswell, Richie Hawtin, Tesu Inoue and others. Namlook also founded the German record label FAX +49-69/450464.
We got a nice surprise in the mail at Synthtopia this week – a vinyl LP of synth music by Swiss synthesist Bruno Ender Lee.
Long time readers of Synthtopia will be familiar with Lee’s live synth jam videos from our Sunday Synth Jam series. Lee’s music is explicitly in the space music category, with titles like Hyperspace, Mindsong and Moonsphere. Though Lee has clearly been inspired by classic Berlin school music, especially the work of Klaus Schulze, his albums, now in the dozens, define a unique vision for this genre.
WIth a group called Berlin Heritage, you probably expect to hear some old-school analog synth sounds and Berlin School style sequencing – and Land Of The Rising Sun delivers.
The first track, Long Journey To Different Temples, for example, is an epic 34:50 sonic trip through intricate sequences, washes of synth strings, vocal synth pads, deep drones, Minimoog solo explorations – and more sequences.
The next track, Spectral Enso, is an extended drone piece. It mixes gentle sequences and phased synth pads to create blissful textures. Zen seems like it could be a lost 70’s synth music classic. It’s structured in an A B A form, starting with drones and Mellotron-style flute a la Tangerine Dream’s Sorceror, building to a more propulsive sequenced section with Minimoog soloing and then returning to the more reflective mood of the beginning.
The album ends with Flying Cranes in Slow Motion, the shortest track on the album at 8:27. The track has a relaxed, hymn-like quality. Synth organ/string pads are used in slowly changing chord progressions, over a deep bass pedal point. These are accented by quiet, percussive synth notes that create an effect almost like distant birds.
Berlin Heritage’s Land Of The Rising Sun harkens back to the classic synth music of the 70’s, evoking at times artists like Tangerine Dream or Klaus Schulze. But, rather than sounding imitative, Berlin Heritage uses vintage sounds to create a ‘second generation Berlin School’ sound, taking some of the best elements of classic Berlin School synth music and looking forward, instead of back.