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MAQ16/3

Articles about MAQ16/3:


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The Berlin School lives on, with Martin Peters’ hypnotic interlocking sequencers + symphonic electronica synth jam, Another Symphonic Theme.

Details on gear + patches below! Read more…

 

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Sunday Synth Jam: Here’s a little something for the fans of Berlin School electronic music – a nice sequenced synth jam, via attorks:

This theme is inspired by an arpeggiator from the Waldorf Q keyboard which I programmed as sequence to be performed by the Q. At first you hear a bass-like sound from the Creamware MiniMax ASB. After that the Synthesizers.com Modular and the self built Modular are added. At last the sequence from the Waldorf Q Keyboard is added. By varying the decay on the Q the sound becomes more lively.

The accompaniment is played on the Clavia Nord Lead 1 and the Roland XP-80.

 

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Exploring the Waldorf Q Keyboard

via attorks:

The Doepfer MAQ16/3 sequencer is driving the Synthesizers.com with a bass sound and the self-built Modular with the accompanying melody.

The internal sequencer of the Waldorf Q Keyboard is synchronized with the MAQ16/3 MIDI clock doing a 8 step sequence which I transpose with the keyboard (to make the music a little bit less boring ;-) .

Fiddling with various dials but mainly the pulse width dials on VCO 1 and 2 to scan through the wave tables of the Alt1 wave selection, with the cutoff, resonance and envelop amount for the 24dB lowpass filter and with the decay for the filter ADSR. At 09:35 I switch to the PPG filter but then the video almost ends.

 

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Martin PetersA Theme For My Muse is a hypnotic modular synth jam, featuring Synthesizers.com modular synthesizer, along with Creamware MiniMax, Akai synthesizer and Clavia Nord Lead.

If you like what you hear, check out Peters’ site, where you can download free music and learn more about his music and gear.

Details below. Read more…

 

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      Classical music is music without Africa. It represents old-fashioned hierarchical structures, ranking, all the levels of control. Orchestral music represents everything I don’t want from the Renaissance: extremely slow feedback loops. — Brian Eno

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