Harrison, a manufacturer of analog and digital consoles, has announced Mixbus, a Digital Audio Workstation for Mac OS X.

Mixbus is a virtual “analog console” integrated into a full-featured Digital Audio Workstation (DAW). It retails for $79.99.

Details below.

If you’ve used Harrison Mixbus, leave a comment!

Features:

• Straightforward “knob per function” mixer layout based on Harrison’s renowned 32-series and MR-series music consoles.
• Precision DSP algorithms for EQ, Filter, Compression, Analog Tape Saturation, and Summing based on Harrison’s world-renowned large format analog and digital mixing consoles.
• Unlimited stereo or mono input channels (based on available CPU power) featuring High-pass Filter, EQ, Compression, and 4 Mix Bus sends on every channel.
• 4 Stereo Mix Buses (can be used for groups or auxes) featuring Tone controls, Compression, Sidechaining, and Analog Tape Saturation.
• Stereo Master Bus that features Tone controls, Analog Tape Saturation, K-meter, and Limiting to help you make polished mixes.
• Plugin delay compensation to support effects such as parallel compression.
• Comprehensive “at-a-glance” metering with peak, peak hold, and compressor gain reduction visible on every track and bus.
• Extensive DAW features via the Ardour Digital Audio Workstation.
• Supports AudioUnit plugins and any CoreAudio interface.

via BenLoftis

The Soundcraft Guide to Mixing, embedded above, is an 18-video series on mixing live sound for music performances, aimed at beginners in the art.

The information isn’t specific to electronic music, but there’s a ton of info here.

Using the StudioLive in the Studio

via presonusaudio:

Heres a look at a typical recording session in a studio using the StudioLive as my interface as well as sending headphone mixes to an entire band.

More below.

Click here to view the embedded video.

Click here to view the embedded video.

This is an official overview video of the Numark HDMIX DJ system.

via NumarkVideo:

What do you enjoy about being a DJ? Is it the hours of moving heavy racks and cases, running cables, and testing levels, or actually playing the gig that makes DJing fun and exciting? HDMIX gives you everything you need to DJ anywhere. Just add a pair of powered speakers or patch into the house PA, and HDMIX puts everything at your fingertips in a single, rugged console.

Musikmesse 2009: This is an overview of the Thermionic Culture Little Bustard, a valve-summing mixer, via soundonsoundvideo.

Musikmesse 2009: Sound On Sound takes a look at the Cakewalk V-Studio 100.

via soundonsoundvideo

Musikmesse 2009: This official video, via Cakewalk Software, shows you how to record basic tracks with the V-Studio 100 without the need to connect your computer.

You can then see how to import those tracks on your Mac or PC into your favorite DAW, like the included SONAR VS, to use as the basis for a new song.

Description:

Mixer feedback loops by DJ Shiftee, the winner of the 2007 DMC World Championships. Along with being the titleholder in the prestigious event, he is also the winner of the 2003 DMC NYC (youngest champion ever, at age 17.) as well as a finalist for the DMC USA in both 2003 and 2004. In addition to being the winner of countless other DJ battles, he is also a member of the legendary Lo-Livez crew alongside members of The X-ecutioners and a highly acclaimed DJ that has opened for artists such as The Roots, Talib Kweli, and Aesop Rock, among many others. Literally being among the top DJs in the world, the musicality and virtuosity of his performances are simply jaw-dropping.

These loops showcase DJ Shiftee’s innovative techniques, in which he uses nothing but a mixer to create an astonishing variety of textures. By manipulating a feedback loop with the mixer’s onboard controls, he performs phrases ranging from simple feedback rhythms to blistering walls of noises and bassline-like phrases. The ingenuity behind the unique performance is simply extraordinary and gives new meaning to the phrase “mixer as a musical instrument”. Created in the spirit of experimental music traditions with the artistry of a world class DJ, these unusual samples would surely make for interesting additions to loop libraries in need of something different.

Many of these loops contain extreme waveforms. These continuously full-scale waveforms look like bricks in an audio editor. This means that they are VERY loud. Be very careful when auditioning sounds. 9 Soundware is not liable for damage to your speakers, your hearing, or YOU. Also, due to the nature of the mixer used, many of the loops contain hard-panned audio, where in some cases, audio is present only in one of the channels throughout the entire phrase. Stereo to mono conversion is not recommended, as doing so will produce phasing artifacts.

Mixer Feedback includes 131 loops (1 to 4 bars in length) at tempos 70, 80,90, 100, 110, 120, 130 and 140 BPM.

The 212 MB download contains files in WAV format.

131 WAV files (24-bit/44.1 kHz)

212 MB

Serge has released an new synth module -  the Stereo Mixer M-odule.

Features:

• Quadrature Oscillator module
• Dual Transient Generator module
• Dual VCA (ac-coupled) and
• Dual Channel Stereo Mixer module (with level and panning voltage controlled)

Synthesist Bakis Sirros notes:

With this M-odule, the user is presented with a bank of six VCA’s (two in the stereo mixer module, two in the Dual VCA, two hardwired in the two outs of the Quad Osc) and two transient generators plus a quadrature sinewave Osc.

so, he has plenty of cv sources to use for modulating volume (or AM synthesis) and for modulating Pan Position, etc…

the Quad Osc goes into well into Audio range, so it can be used as Audio source as well.

Price is 1700 USD.

If you’ve used the Serge Stereo Mixer M-odule, leave a comment with your thoughts!

2008 Summer Namm Show: Mackie expands its VLZ3 compact mixer line with the release of the 402-VLZ3 and the 802-VLZ3 Premium Mic/Line Mixers.

“The 802-VLZ3 is the perfect mixer for someone who wants the overall quality of a 1202-VLZ3, but doesn’t need that many input channels,” said Greg Young, Mackie Product Manager. “The 402-VLZ3 is designed to be compact with an intelligently scaled feature set that maintains the sound quality and performance of the other Mackie VLZ3s. These are the only mixers available for those whose input counts are low, but whose standards are not.”

Here are the details:

The 402-VLZ3 features 2 mono mic/line channels, a dedicated stereo line channel and an assignable stereo RCA input channel. Mono channels each include an XDR2 preamp, switchable high-pass filter, 2-band EQ and a channel overload LED, and can be hard-panned for stereo applications.

The 802-VLZ3 includes 5 channel strips with 3 XDR2 mic preamps, the Alt 3-4 bus, a pre-/post-switchable aux send, a dedicated stereo aux return, plus a comprehensive control room section.

The 402-VLZ3 and 802-VLZ3 are now available world-wide. The 402-VLZ3 has a U.S. MSRP of $129.99. The 802-VLZ3 has a U.S. MSRP of $259.99.

Mackie has launched a new type of mixer designed for musicians, DJs and producers – the U.Series Production Mixer.

“The keyboardist, DJ and producer of today are forced to use over-complicated mixers designed for their dad’s era, or compromise with low-quality features and severely limited connectivity options,” said John Boudreau, Mackie brand group vice president. “U.Series mixers bridge that gap — making them ideal for vinyl, modular analog synths and anything in between. These are the simplest, most intuitive mixers on the market today.”

Here are the details:

Each model features a micro-master section with otherwise full-size qualities such as a prominent master volume knob and high resolution metering. Mic or stereo line channel strips with 3-band active EQ, a built-in DI box and RIAA phono preamps allow you to plug-in, and turn up for live sound and recording via integrated stereo Firewire I/O.

“Loop-thru” routing enables you to mix and record analog and DAW playback with a couple of simple moves. Each offers a stereo aux send, headphone out with pre-main level control and self-monoing outputs.

The U.420 4-channel stereo line mixer offers 3-band “full-kill” active EQ on each channel, a built-in DI box and a Mackie designed RIAA phono preamp.

The U.420d offers 2 Mackie mic channels with 30mm faders, and features 3-band active EQ with mid-sweep, while 2 high-headroom stereo line input channels include 2 Mackie designed RIAA phono preamps, 3-band active EQ, a full headphone cue system and a 30mm crossfader.

The U.Series mixers will be available in the U.S. and Canada in April 2008 and internationally in May 2008. The U.420 will be €249 and have a U.S. MSRP of $249.99 . The U.420d will be €299 and have a U.S. MSRP of $319.99.

Behringer has introduced the new B-Control Fader BCF2000-WH, a white version of its popular fader control surface.

Features:

• Eight 100mm motorized faders
• Eight rotary/push encoders with LED value indicator rings
• Four encoder groups for up to 32 rotary/push controls
• 20 assignable push buttons
• External footswitch and expression pedal input jacks
• 32 recallable presets
• LED display
• USB / MIDI connection
• 100 – 240 V A.C. Power

Eight 100mm motorized faders recall and automate mixes. Continuous rotary/push encoders and assignable switches give access to the channel strip and commonly used recording and plug-in functions.

The BCF2000-WH’s capabilities are larger than its compact size might suggest. Four encoder groups allow for 32 recallable rotary/switch parameter controls. 32 presets allow the unit to be instantly reconfigured for different tasks. Multiple BCF2000’s can be cascaded for larger mixes. The unit can be configured to control virtual instruments and organ drawbars (inverse mode). All faders, encoders and assignable buttons are configured manually or by the user-friendly Learn Mode.

US MSRP $249.99

The four-channel KM-402 combines the KAOSS Pad’s effects and interface with a 24-bit digital DJ mixer complete with adjustable crossfader. With one hundred effects programs, a “PROGRAM MEMORY” key for quick save and instant recall of your favorite programs, an “FX RELEASE” function that keeps delay and reverb tails intact through preset changes, and a “KAOSS” button for assigning the KAOSS PAD to each channel, the new KM-402 is designed for DJs wanting to incorporate effects into their performance.

KM-402 Main Features

• Four channel configuration
• Integrated effects from the acclaimed KP3 KAOSS PAD used by DJs and musicians around the world.
• One hundred effects add unlimited creativity to your DJ sets.
• “FX RELEASE” function allows reverb and delay tails to smoothly decay through preset and effect changes.
• “KAOSS Button” on each channel for quick, independent control of your effects.
• A full 24-bit digital mixer delivers huge headroom and pristine audio quality.
• Six independent types of EQ deliver unparalleled flexibility to shape your sound, your way.
• Programmable crossfader allows you to adjust the response and curve to suit your individual needs.
• Jack guard prevents damage to the I/O section, making the KM-402 worthy of heavy road use.

The two-channel KM-202 combines the KAOSS Pad’s effects and interface with a 24-bit digital DJ mixer complete with adjustable crossfader.

KM-202 Main Features

• Two channel configuration
• Integrated effects from the acclaimed KP3 KAOSS PAD used by DJs and musicians around the world.
• One hundred effects add unlimited creativity to your DJ sets.
• “FX RELEASE” function allows reverb and delay tails to smoothly decay through preset and effect changes.
• “KAOSS Button” on each channel for quick, independent control of your effects.
• A full 24-bit digital mixer delivers huge headroom and pristine audio quality.
• Six independent types of EQ deliver unparalleled flexibility to shape your sound, your way.
• Programmable crossfader allows you to adjust the response and curve to suit your individual needs.
• Jack guard prevents damage to the I/O section, making the KM-202 worthy of heavy road use.

Alesis introduced the iMultiMix 9R, a pro mixer and audio player that features an integrated iPod dock and video output, at the 2007 Summer NAMM show.

Description:

The iMultiMix 9R is designed for studios and live venues where rack-based audio gear is common. The iMultiMix 9R is the first of its kind to provide mixing, iPod integration and video output.

iMultiMix 9R features:

• iPod dock integration
• 5 high-gain mic preamps
• 2 Stereo line inputs (one switchable from an external source or the installed iPod)
• 48V phantom power
• Aux sends and returns.
• 3-band per channel EQ with high/low shelving and band pass/reject

The iMultiMix 9R can display iPod video through a projector or TV by using the mixer’s composite video output. The iMultiMix 9R mixer delivers audio playback from 2nd through 5th generation iPods.

Pricing and Availability:

The Alesis iMultiMix 9R is due at music retailers late 2007 with a suggest retail price of $399. Estimated street price is $299.

Edirol has introduced the M-10DX 10-channel digital mixer, which features a 24-bit/96kHz processing engine and a backlit LCD so you can see the effects in operation as well a graphical spectrum analysis. The new mixer offers built-in pro-quality FX, including insert effects, reverb/echo and finalize effects, flexible analog and digital I/O, Room Acoustic Control for instant automatic room compensation.

Based on the same high-resolution processing engine as the flagship M-16DX, the M-10DX provides full 24-bit/96kHz processing for the ultimate in transparent, noise-free digital mixing. Mixing is made simple, with dedicated channel controls for 3-Band EQ, Pan, Aux, Select and Level. Scene memories allow instant recall of channel and effect parameters.

For maximum portability, the M-10DX condenses almost all of the M-16DX’s functions into a compact tabletop package for easy portability and use anywhere. It even retains the backlit LCD from its big brother, so you can see the effects in operation as well a graphical spectrum analysis.

AC adaptor comes included.

As well as the USB connection, the Xone:1D has 5-pin DIN MIDI sockets for connection to other MIDI-enabled devices, and features 4 60mm linear faders, 8 detented rotary pots, 16 push buttons (4 of which are illuminated), 5 rotary encoders with “push to switch” function, and a multi-function jog wheel with switched navigation control. As with the Xone:3D, all the MIDI controls can be mapped for use as navigation controls for DJ or production software, providing the user with the same tactile control of performance software.

The unit can be placed alongside any standard DJ mixer to add digital control, and if a Xone:2D is added, presents the equivalent feature set to a Xone:3D around your favourite mixer.

The Xone:1D will be available from June 2007, SRP £199 (ex VAT)

Yamaha Corporation of America introduced a new lineup of small format analog MG Mixers at the Winter NAMM 2007.

These four redesigned models, offer a number of feature additions, including single-knob compression on two inputs, switch-able monitor mix routing, upgraded components and enhanced cosmetics.

“Recently, we added single-knob compression into our popular EMX powered mixers with great results,” said John Schauer, product manager, Live Sound, Yamaha Pro Audio & Combo Division. “Adding it to the new MG mixers to provide improved sound quality only made sense.”

Existing MG10/2, MG8/2FX, MG12/4, and MG12/4FX models are being replaced by the MG102C, MG82CX, MG124C, and MG124CX, respectively. Carrying over from the former generation, the two “CX” models continue to offer SPX-quality digital effects and the MG102C and MG82CX remain mic stand mountable.

“The MG line of analog mixers has been successful beyond our most optimistic expectations,” said Wayne Hrabak, marketing manager, Live Sound, Yamaha Pro Audio & Combo Division. “This new generation of models is designed to build on this already strong level of acceptance.”

The MG124CX (MSRP: $379), MG124C (MSRP: $299), MG82CX (MSRP: $219) and MG102C (MSRP: $149) are scheduled to ship in January 2007.

At the 2007 Winter NAMM show, TASCAM introduced the 2488mkII, a follow-up to its best-selling 24-track recording and mixing workstation for home studios.

Like its predecessor, eight inputs can be simultaneously recorded into the XLR and 1/4″ inputs. 19 physical faders control the mixdown channels, and each channel has 3-band EQ and access to three built-in effects processors.

The built-in CD-RW drive can record the master mix in addition to backing up the hard drive and importing WAV files. New features include a larger hard drive, new LCD display, new guitar effects and improved CD mastering capabilities.

The 2488mkII adds an 80GB hard drive, double the size of the previous version. Improved guitar overdrive effects have been added, and the “Slow-Speed Audition” feature from TASCAM’s line of CD Trainers is included for learning new music.

A large, bright display makes the unit even easier to use, and new CD mastering features include defining tracks in a live recording and a faster CD burner.

Winter NAMM Show Update: Roland announced the new EDIROL M-16DX Digital Mixer.

The M-16DX is a new-generation mixer comprising two modules: the Mix Controller for your desktop, and the I/O Module, which can be mounted in a rack. Together, these two components provide a wide assortment of connection and processing features, while leaving your desktop uncluttered.

A full-featured DSP effects processor is built into the M-16DX, with insert effects (Power Compressor, Vocal/Narration Enhancers, and Voice Change), spatial effects (Echo, Space Echo, and multi-format Reverb), and mastering tools (Noise Suppressor, Enhancer, and Multiband Compressor-Limiter). In addition, each channel strip is equipped with Low-Cut Filter, 3-Band EQ, Pan, Aux, Select, Solo/Mute, and Level controls. Scene memories, allow for instant recall of channel and effect parameters.

In a portable mixing first, the M-16DX features a high-contrast, backlit LCD that lets you to see the effects in operation, as well a spectrum analysis of your mix! Also onboard is the intelligent Room Acoustic Control function, which automatically analyzes and compensates for the frequency response of your studio. It’s fast, easy, and effective.

Digital and analog connectivity — it’s all here, and more. Channels 1-4 contain quality mic preamps with phantom power; channels 1 and 2 also offer Hi-Z switches for directly connecting guitar and bass. Channels 11 and 12 provide direct digital input via S/PDIF optical. And most impressively, USB 2.0 port allows the mixer to work as a powerful 18-in/2-out 24-bit/96kHz audio interface for computer recording.

AC or battery power, take your choice. The M-10MX comes with an AC adaptor, but it can also operate on battery power (four AA batteries). Thanks to its compact body and battery operation, the M-10MX is an excellent tool for podcasting, location video and/or field recording and mixing.

Connect a wide range of audio devices to the M-10MX, including dynamic microphones, musical instruments, consumer audio devices, video equipment, and audio interfaces for computer audio. The M-10MX’s versatile back panel offers 1/4″ and RCA input and output ports, plus a dedicated plug-in powered, stereo electret condenser microphone jack, suitable for use with mics such as the EDIROL CS-15. For outputs, two TRS balanced 1/4″ phone jacks are provided.

The M-10MX is equipped with both coaxial and optical S/PDIF 24-bit/96kHz digital audio outputs, which allows it to supply digital audio directly to your computer and products such as EDIROL MA-series digital speakers or Roland DS-series monitors with S/PDIF digital inputs . The M-10MX can also be connected to audio interfaces such as EDIROL’s UA or FA-series units for recording and mixing entirely in the digital domain.