At the 2015 NAMM Show, Keith McMillen Instruments has introduced the K-Mix – described as a ‘next generation audio interface and programmable mixer’.
The KMI K-Mix is a genre-blurring device. It’s a powerful control surface, like many of the company’s previous devices. But it’s also a hardware mixer and an 8 in/10 out audio interface. Continue reading
This video takes a look at ‘no-input mixing’ – the idea that you can use feedback loops within mixers to generate sound.
Most users try to avoid noise when mixing. No-input mixing is about embracing the noise inherent in mixers and using it to synthesize sound. Continue reading
This video is a sneak preview of MiMiX – a new mixer app for Audiobus.
MiMiX is designed to let you control and mix the output of multiple iPad music apps. Continue reading
4DSOUND is a new immersive audio system that allows for evolving changes in three-dimensional positioning of sound.
Despite the emergence of professional and consumer surround-sound systems, most live performances still rely on stereo (or even summed mono) sound, with an audience hearing most of the music from one direction.
4DSOUND is built from expansive array of speakers, a Max-based core, and custom Max for Live devices that allow for sound to be positioned anywhere within the system’s space.
In the video above, 4DSOUND founder Paul Oomen talks about its conception, and Martin Stimming discusses performing with the system. Continue reading
Erica Synths has released the Matrix Mixer – a new touchscreen matrix mixer, inspired by the EMS Synthi.
Here’s what they have to say about the Matrix Mixer: Continue reading
Slate Media Technology has announced RAVEN 2.0 Control System, for the RAVEN series of Multi-touch Production Consoles.
Or as they like to call it, ‘the future of studio control.’ Continue reading
Can using a hi-pass filter improve your bass? Continue reading
IK Multimedia announced today a new release of its mixing and mastering plug-in, T-RackS CS 4.5.
T-RackS Custom Shop 4.5 offers a mixing and mastering shell system that enables the user to have up to 26 outboard processors all available in one application for your DAW or desktop, singularly or together, for the “highest-end sonic experience.”
The new version of T-RackS CS includes a model of what some consider the “holy grail” of mastering EQs, the Master EQ 432, along with enhancements of the T-RackS Custom Shop environment aimed at streamlining its usability for existing and new users.
Details after the break: Continue reading