Plankton Electronics has introduced the Earwig – a rectifying mixer for Eurorack modular synthesizers.
The core of each channel is two half wave rectifiers and one full wave rectifier. There is also gain, pre and post-rectifier bias and an inverter amp. 2 CV bias inputs are provided to modulate the signal. Each channel accepts audio and CV signals. Continue reading
Pittsburgh Modular has announced updates to their all-in-one modular synths and cases.
Updated System 10 Modular Synthesizer
PM has updated their semi-modular sound lab, the System 10, above left, to include their new Midi 3 module. The Midi 3 adds a complete set of mono and duophonic midi response modes, assignable CC and dedicated velocity outputs, a feature rich clock source with tap tempo, midi and external gate clock dividers, and multiple arpeggiator responses to an already full set of features.
The Synthesizer Box remains at the heart of the instrument. A semi-modular synthesizer voice module featuring a unique set of modulatable waveforms, a rich lopass gate filter, and a tight envelope continues to define the sound of the synthesizer.
Pittsburgh Modular has introduced MIDI 3 – an ‘extremely full featured’ MIDI to CV converter for Eurorack modular synthesizers.
The Midi 3 is PM’s third-generation Midi to CV converter. It includes a complete set of mono and duophonic MIDI response modes, assignable CC and dedicated velocity outputs, a clock source with tap tempo, MIDI and external gate clock dividers, and multiple arpeggiator responses.
As PM says, “This module is deep.”
MIDI 3 MIDI to CV Converter
A MIDI to cv module converts standard MIDI note messages into the analog control voltages used by modular and other analog synthesizers. This allows the synthesizer to be controlled by a midi keyboard, sequencer, or DAW.
The two CV outputs on the Midi 3 can be used to control the pitch of an oscillator, cutoff frequency of a filter, or any other function that requires a control voltage signal. The set of Gate outputs on the Midi 3 can be used to trigger envelope generators or other modules expecting a gate or clock source. Continue reading
Cycling ’74 has released Max 7, the latest version of their visual programming system for audio and video.
Cycling ’74 calls Max 7 a ‘visual programming language for media.’ It works on Mac (OS 10.7+) and Windows (7+), and supports a wide variety of hardware.
Here are the details: Continue reading
Synthrotek has introduced the 308 Distortion Module – a RAT clone in Eurorack format that offers CV control over gain.
- 3 controls – Tone, Filter, and Drive – to customize your tone. Tone sets the brightness level, Filter dials in the high frequency response, and Drive determines the signal gain.
- 4 Diode Settings – An on-board 4PST DIP Switch selects between 4 different clipping diodes to drastically alter your sound. Turn on the stock version 1N4148s, LEDs, Germanium diodes, or none at all with flick of a little switch.
- Vintage Tone – The PCB is designed from the original RAT tone IC, the LM308 single op amp.
- Control Voltage (CV) Input
- Guitar AND Modular – Adjust the input impedance with a trim pot.
- Plug your guitar in using Circuit Abbey’s Axis module.
Ninstruments’ Chris Blarsky is featured in the latest episode of the Arts + Music + Technology podcast.
Blarsky, right with a giant balloon creation, is known for creating Gameboy music systems and creating custom Eurorack hacks of Pittsburgh Oscillator, Moog Werkstatt and the TI Speak & Read.
Thonk has announced the availability of the Fonitronik Cascade – a DIY kit that lets you build a 4HP triple attenuverting mixer/processor.
The module provides 3 channels of ‘attenu-gain-vertion’, each with it’s own bicolor LED. The input of each channel is normalled to a voltage source. Continue reading