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nanoKontrol

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Cuckoo demo’s the new Plogue Chipsounds.

via cuckoomusic:

I bought this new plug-in called Plogue Chipsounds and took it for a spin. I must say it sounds fantastic. I’m going through a couple of the chips, perform and loop live to see how it all sounds.Best regardsCUCKOOMore on Cuckoo:http://www.cuckoo.noMore on Plogue Chipsounds:http://www.plogue.com

 

akai-lpd8

Akai Professional is now shipping its nanoKontrol-killer LPD8 laptop pad controller and LPK25 laptop performance keyboard controller.

The LPD8 and LPK25 are USB-MIDI controllers for musicians, producers, DJs and other music creators. Each model is less than 13 inches across and weighs less than a pound to easily fit into a laptop case, backpack or messenger bag for extreme portability. Read more…

 

akai lpk25 lpd8 mini midi controllers

2009 Summer NAMM Show: Hotness! Akai Professional has introduced the LPD8 laptop pad controller and LPK25 laptop performance keyboard controller.

The LPD8 and LPK25 will make their official debut at Akai Professional’s booth, number 400, at the Summer NAMM Show held at the Nashville Convention Center, July 17 – 19.

With the LPD8 and LPK25, Akai is taking on Korg’s nanoKontrol line directly. Korg’s nanoKontrol MIDI controllers feel a bit flimsy, so if Akai improves on this and stays competitive with their price, they’ll have a couple of winners.

Details below. Leave a comment with your thoughts on these bad boys! Read more…

 

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GearWire’s Bill Holland takes a look at the microscopic Korg nanoKontrol, one of the most portable music controllers available.

via gearwire

 

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Korg NanoPad Overview: Get Out Your Magnifying Glass

via gearwire:

In this video, Bill Holland takes a look at the Korg nanoKONTROL, one of the most compact controllers on the market today.

This is not to be confused with the nunoKONTROL, which subsequently controls Extreme guitarist Nuno Bettencourt. 

It’s actually the nanoPad (see comments below)!

 

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      Translator

      something to think about

      When Mozart was composing at the end of the eighteenth century, the city of Vienna was so quiet that fire alarms could be given verbally, by a shouting watchman mounted on top of St. Stefan’s Cathedral. In twentieth-century society, the noise level is such that it keeps knocking our bodies out of tune and out of their natural rhythms. This ever-increasing assault of sound upon our ears, minds, and bodies adds to the stress load of civilized beings trying to live in a highly complex environment. — Stephen Halpern

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