I Am The Center: Private Issue New Age Music In America 1950-1990 is a new retrospective compilation that looks at ‘new age’ music.
Label Light In The Attic Records describes the anthology as “the first major anthology to survey the golden age of new age”. It features some better-known new age artists, such as Steven Halpern, Constance Demby, Laraaji and Michael Stearns, along with works by seminal artists of the genre and other important works.
Here’s what they have to say about the retrospective: Continue reading
Sunday Synth Jam: Voices Of Heaven 2, by Bert Anjewierden, is a live ambient performance of an original composition, featuring the sounds of two GEM synthesizers and a Roland JX8P. Continue reading
Sunday Synth Jam: Here’s a relaxed improvisation for SpaceWiz and Steinway by Jordan Rudess.
SpaceWiz is a generative music app. Rudess says “The beauty of this improv is that there is the element of the unknown, quite similar to jamming with a human partner. You can interact with SpaceWiz and throw particles at the planets to create sound, or just let things evolve on their own!”
In celebration of Arbor Day on April 27th 2012, a group of artists have joined together to create an album to support the National Arbor Day Foundation.
The artists, including John Koch-Northrup, Ian Boddy, John Sherwood, Joe McMahon, HG Fortune, Inner Dreamer, Shane King, Groupthink, Mystified, Shane Morris, Jack Hertz and Crystal Dreams have donated their music to support the ‘Sound For Good’ project.
The compilation, Take To The Trees, is available for download with a donation of $1 or more. 100% of your donation goes to the National Arbor Day Foundation to plant trees.
Sunday Synth Jam: Here’s a synth jam in a new age/space music style – Alnitak’s Solar Wind.
Sotiris (Synthscape) sent this music video in via the Submit A Story page, asking “Can computers generate pleasant melodies, with a little assistance from humans?”:
My latest music track, required music “not composed by humans” so i turned to random number generation procedures to decide which notes to play for the harp, flute, choir and music box parts of Forest Spirits.
The rest were composed/played by me (human, real human). The only additional step was to “restrict to scale” the random notes selection.
So, what do you say? Can computers generate pleasant melodies with a little assistance from humans?