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Nord

Articles about Nord:


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For LiFT Studios Broadcast 023, Haig Armen talks with Dasz Garncarz, a synth & interface designer, about the challenges of interaction design and his work on the Nord Modular G2 synthesizer. Read more…

 

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The Berlin School lives on, with Martin Peters’ hypnotic interlocking sequencers + symphonic electronica synth jam, Another Symphonic Theme.

Details on gear + patches below! Read more…

 

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How to Use a Subtractive Analog Synthesizer is a short section taken from a commercial video series on the principles of subtractive synthesis.

via metakinetics:

This is a brief sample of an extensive introductory video tutorial on the principles of subtractive synthesis. Knowing these principles is essential to creating the evolving sounds often heard in various forms of electronic music. This video tutorial uses the Logic ES1 and ES2 as example virtual instruments to demonstrate the principles. Topics covered include signal flow, waveforms, filters, envelopes and LFOs.

This is a great video to get you started with one of these instruments: LinPlug Albino, Native Instruments Massive, Native Instruments Pro-53, Propellerhead Reasons Subtractor, Ableton Live Operator, Ableton Live Analog, Moog Voyager, Dave Smith Evolver, Prophet 5, Alesis Andromeda, Access Virus, Nord Lead Waldorf Q, Alesis ION, Alesis MICRON, Logic ES1, Logic ES2.

 

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Sunday Synth Jam: Here’s a little something for the fans of Berlin School electronic music – a nice sequenced synth jam, via attorks:

This theme is inspired by an arpeggiator from the Waldorf Q keyboard which I programmed as sequence to be performed by the Q. At first you hear a bass-like sound from the Creamware MiniMax ASB. After that the Synthesizers.com Modular and the self built Modular are added. At last the sequence from the Waldorf Q Keyboard is added. By varying the decay on the Q the sound becomes more lively.

The accompaniment is played on the Clavia Nord Lead 1 and the Roland XP-80.

 

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Cult of the Maschine is a techno jam produced entirely with Native Instruments’ Maschine. Read more…

 

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      something to think about

      I’m not interested in possible complexities. I regard song structure as a graph paper. — Brian Eno

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