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Analogue Systems rs360 as a Resonator

via bigcitymusic:

The A.S. rs360 Vocal/Phase filter is an awesome sounding three-band resonant filter module. Each filter has 1v/oct CV input and there’s a master frequency control with an additional CV input and attenuator.

You can use this bank of filters as an equalizer, to get great vocal and formant sounds, or as a resonator (and a lot more actually!). We’re running some drum sounds into the filter inputs as well as controlling the “pitches” of each band via a MIDI to CV converter. This module is a lot of fun. We’ve tuned the filters to different intervals which makes it a bit more interesting. The rs360 can be used as an oscillator to great effect on it’s own too! We turn the dry sound of the drums up at the end.

 

Behringer had added sixteen new Real Sound Modeling effects to its line of inexpensive effects pedals.

“Developing RSM pedals has been a multi-year program for us that has resulted in a platform on which we can develop in many directions”, states Duwe. “Our 24-bit hardware, firmware and software system will allow us to model many acoustic spaces, instruments and electronic modifications; at very little cost to the customer. One could easily be misled by the compact pedal form factor, but under the hood of our RSM processors you will find a lot of substantial FX for DJ’s, keyboardists and guitar amp effects loops alike.”

Behringer RSM pedals include chorus, phase shifting, flanging, reverb, delay, echo, octave, dynamic formant eq, acoustic modeling, rotary, harmonizing and synthesis modeling.

All pedals feature:

  • Real Sound Modeling with advanced DSP algorithms
  • 24-bit A/D/A conversion
  • Rugged impact-resistant injection molded cases
  • Sealed rotary controls
  • Dual outputs for stereo or split-signal applications
  • Ultra-bright On/Battery LED
  • Battery or DC powered

US List $74.95

 

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      something to think about

      When Mozart was composing at the end of the eighteenth century, the city of Vienna was so quiet that fire alarms could be given verbally, by a shouting watchman mounted on top of St. Stefan’s Cathedral. In twentieth-century society, the noise level is such that it keeps knocking our bodies out of tune and out of their natural rhythms. This ever-increasing assault of sound upon our ears, minds, and bodies adds to the stress load of civilized beings trying to live in a highly complex environment. — Stephen Halpern

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