When it comes to iconic sounds of synthesis, few changed the shape of popular electronic music than the sequenced synth on Pink Floyd’s On The Run, from Dark Side Of The Moon.
In this short BBC video, David Gilmour explains how the On The Run sequence was created on the EMS Synthi A. The Synthi A was introduced in 1971, so it was a brand new tool when Pink Floyd was using it. Dark Side Of The Moon was released in 1973 and went on to sell 50 million copies.
Unfortunately for synthesists, the Synthi A is one of the rarest production synths ever made. Fans of the sound have turned to other synthesizers to recreate the classic sequence (E2 G2 A2 G2 D3 C3 D3 E3) – some more successfully than others.
Final cut of the full-length movie for Pink Floyd’s classic album, The Dark Side Of The Moon.
This film uses the backdrop films the band featured during their initial US, UK, and French tours for The Dark Side Of The Moon, with additional footage used for Breathe and live footage from 1972 added to Time.
The mix of the album for the video contains extended versions of Speak To Me and On the Run.
Propellerhead has released another Reason 6 demo video, looking at The Echo:
Reason 6 introduces three new creative effect devices: Pulveriser, Alligator, and The Echo. In this micro tutorial we’ll take a look at The Echo.
The Echo brings together the best features of crisp digital delay, warm crunchy analog delay, space echoing tape delays, and even loop-based effects. We’ll take a look at the major functions of The Echo and explore a few ways you can use its powerful delay settings in your music.
Pterodactyl Squad – a video game music netlabel – has released The Dark Side of the Moon – The 8-bit Album.
38 years ago today Pink Floyd’s The Dark Side of the Moon was released in the UK, and Pterodactyl Squad are marking the date with their 30th release, The Dark Side of the Moon – The 8-bit Album.
After the success of Weezer – The 8-bit Album in 2009, the Squad assembled an “all-star cast of chiptune talent” to create a VGM-inspired tribute to 1973’s, The Dark Side of the Moon. All 9 tracks have been filtered through an 8-bit lens, and while each artist brings a different sound and creative angle to each track, the album flows seamlessly together, just like the original.
Pterodactyl Squad says:
Although attempted numerous times before, Pterodactyl Squad have finally done the original album justice with the definitive 8-bit interpretation of Pink Floyd’s progressive rock classic.
Produced as an 8-bit mirror of the original, the music on this release was created using sounds from various old games consoles including the Sega Mega Drive and Nintendo Game Boy.
Featuring tracks from Bit_Rat, EvilWezil, khades, Rabato, sergeeo, Videogame Orchestra, Jason Vincion, echosignal and Brad Smith and Temp Sound Solutions, the album is free to download.
I set it up so that the first six percussion keys of the Alpha correspond to the strings of an actual guitar for which I play the chords on the upper split of the keyboard with the EAG strum instrument. The lower split of the main keyboard also uses EAG but with the lead instrument to play the melody line. I also use a foot pedal to sustain notes and chords when needed.
I’m really amazed by how natural the combination of the Eigenharp Alpha together with Evolution Acoustic Guitar feels. You can strum, pick, release chords to play muted strums, do hammer-ons and pull-offs, … etc.
I’ll be looking at an even tighter integration to correctly play up and down stroke samples based on the direction by which you’re strumming over the percussion keys … stay tuned.