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Pink Floyd

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Sunday Synth Jam: Every Sunday, we like to features some videos that aren’t news – but are just interesting examples of musicians using synths to make music.

This video, via synthesist Richard Lainhart, features Jordan Rudess performing Pink Floyd’s On The Run from Dream Theater’s live version of Dark Side Of The Moon at the Hammersmith Apollo, London, October 25, 2005.

Modular synth programming by Lainhart.

 

http://www.youtube.com/view_play_list?p=5A7A7C7776081DB1

This series of videos looks at the making of Pink Floyd’s The Dark Side Of The Moon – not only one of the most popular albums of all times – but one of the most influential. Read more…

 

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In this episode of Electro-Harmonix’s “Effectology” series, Bill Ruppert, Professor of Effectology, recreates the sound of Pink Floyd’s On the Run from Dark Side of the Moon with effects pedals.

Pedals used:

  • Micro Synthesizer
  • Stereo Memory Man with Hazarai
  • Frequency Analyzer
  • Big Muff Pi
  • Stereo Pulsar

For more details on pedals and settings, see the EHX site.

 

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This is a cover of Pink Floyd’s On The Run, from Dark Side Of The Moon, created on an Electribe EMX.

The cover highlights how much technology has changed and how much power is now packed in an inexpensive box like the EMX.

via Rothgar777

 

Pink Floyd keyboardist and songwriter Rick Wright died today at the age of 65, after a short bout with cancer. 

Wright kept a surprising low profile, despite being a member of one of the most influential rock bands of all time. While other 70’s keyboard heroes were known for burning up the keyboards, Wright leaned more towards subtle keyboard styles, pioneering a psychedelic space rock style. 

“He was such a lovely, gentle, genuine man and will be missed terribly by so many who loved him,” said bandmate David Gilmour.

In a lot of ways, Wright was under appreciated. He contributed some of Pink Floyd’s most important tracks, like The Great Gig In The Sky and Us and Them from Dark Side Of The Moon. His work was also extremely infuential in the world of electronic music, and is cited by Tangerine Dream, Klaus Schulze and many other synth music pioneers.

Here’s Wright, Alan Parsons and others commenting on Great Gig In The Sky.

 

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      something to think about

      There are two golden rules for an orchestra: start together and finish together. The public doesn’t give a damn what goes on in between. — Sir Thomas Beecham

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