Synth parts are handled using Caustic on an Android tablet. Continue reading
Pink Floyd has announced a new album, The Endless River, that they say is a tribute to longtime keyboardist Richard Wright (1943-2008) and a return to their early style.
“The Endless River has as its starting point the music that came from the 1993 Division Bell sessions,” explains David Gilmour. “We listened to over 20 hours of the three of us playing together and selected the music we wanted to work on for the new album.”
“Over the last year we’ve added new parts, re-recorded others and generally harnessed studio technology to make a 21st century Pink Floyd album. With Rick gone, and, with him, the chance of ever doing it again, it feels right that these revisited and reworked tracks should be made available as part of our repertoire.” Continue reading
When it comes to iconic sounds of synthesis, few changed the shape of popular electronic music than the sequenced synth on Pink Floyd’s On The Run, from Dark Side Of The Moon.
In this short BBC video, David Gilmour explains how the On The Run sequence was created on the EMS Synthi A. The Synthi A was introduced in 1971, so it was a brand new tool when Pink Floyd was using it. Dark Side Of The Moon was released in 1973 and went on to sell 50 million copies.
Unfortunately for synthesists, the Synthi A is one of the rarest production synths ever made. Fans of the sound have turned to other synthesizers to recreate the classic sequence (E2 G2 A2 G2 D3 C3 D3 E3) – some more successfully than others.
Here are a few examples: Continue reading
This is a demo of the Kromalaser Laser Harp. Here’s what they have to say about it:
With KL-450 BASIC Laser Harp, our client has assigned 2 instrument’s bank to the same Laser Harp. This demonstrates how you can split the instrument, even to play one instrument each laser.
See the Kromalaser site for details.
Final cut of the full-length movie for Pink Floyd’s classic album, The Dark Side Of The Moon.
This film uses the backdrop films the band featured during their initial US, UK, and French tours for The Dark Side Of The Moon, with additional footage used for Breathe and live footage from 1972 added to Time.
The mix of the album for the video contains extended versions of Speak To Me and On the Run.
Reader Tracy Evans has put together a tutorial that looks at how to recreate David Gilmour‘s “Sound on Sound” effect, within Ableton Live.
David uses a dual amp setup to perform Shine On you Crazy Diamond and achieve an infinite sustain over which he can play solos.
Here’s an example of how he does this in a live performance:
And here’s Evans’ approach to achieving similar effects with Ableton Live:
Propellerhead has released another Reason 6 demo video, looking at The Echo:
Reason 6 introduces three new creative effect devices: Pulveriser, Alligator, and The Echo. In this micro tutorial we’ll take a look at The Echo.
The Echo brings together the best features of crisp digital delay, warm crunchy analog delay, space echoing tape delays, and even loop-based effects. We’ll take a look at the major functions of The Echo and explore a few ways you can use its powerful delay settings in your music.
This was obviously the first thing I could play on this little box…
It doesn’t sound much like the original – but that’s probably missing the point. A lot of great music has been made with limited synths and 8 step sequencers…….