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R3

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This is the official Korg intro video for the Korg microKorg XL.

via KorgUSAVideos:

Korg presents the microKORG XL Synthesizer/Vocoder! Features include Korg’s powerful MMT synthesis, 37 velocity-sensitive mini keys, 16-band vocoder with included metal gooseneck mic, and HUGE sound.

 

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Random Chimes of the Continent

via JeffreyPlaide:

This musical composition uses arpeggiated sequences from the Korg R3 synthesizer combined to produce a rhythmic, yet ambient experimentation. Arpeggiated sequences were cascaded with surreal synthesizer analogue pads creating sonic textures that form a tonal backdrop to carry away the listener to another time and space.

High resonating filter frequencies combine with the bass tones for a very full stereo effect richly endowed with reverb. The visuals for the music are pure video synthesis, using electronically-generated shapes and modulations built up layer upon layer forming modulating optical rhythms. It is the closest one can come to analogue video synthesis using the resources of vision mixing and linear modulation techniques.

The work exists as an audiovisual experience, with the music and images forming a pulsating, unifying composite. Both hypnotic and meditative, several aural and visual combinations are used to bring about an interesting immersive experience.

 

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MoonSatellite – Sequenzer I (extrait) is a very nice live Berlin-school style synth jam.

via samurailonewolf:

Pads, Sequences, Voice : Andromeda A6 – FX, Lead, Bass : Minimoog Voyager – Sequence in the middle : Korg R3 – Rythm : Roland MC 808 – Record : Korg D16 – Wind : Minimoog + EH Small Stone. (Sorry for the sound it’s live capture with cam…)

 

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      something to think about

      Why would you want to be a film composer? You have to be 100% dedicated, you don’t have a social life, you never get to go home, and you are forever sweating because it is one of the few jobs that does not get better. The more I write, the more I come under scrutiny, and the harder it is to come up with the next great tune that I haven’t written. After 100 movies or so, and you think 44 pieces of music in each, you do the math. It can get tricky. — Hans Zimmer

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