Propellerhead has introduced A-List Studio Drummer, a new virtual drummer Rack Extension for Reason.
Rob Papen has released RG – his rhythm guitar groovebox instrument – as a Rack Extension for Propellerhead Reason.
Jiggery Pokery Sound has introduced JPS Harmonic Synthesizer, a software recreation of the extremely rare RMI Harmonic Synthesizer. Produced in very limited quantities for a very short period in the mid-1970s, the RMI Harmonic Synthesizer is best known for its prominent role in Jean Michel Jarre’s Oxygéne. It was it was used extensively on Oxygéne (often through an Electric Mistress flanger) for… Read More JPS Harmonic Synthesizer – The Sound Of Jarre’s ‘Oxygene’ – Gets Virtualized
Ochen K introduced 4MER, a a four-oscillator, eight-operator, waveshaping polysynth Rack Extension for Propellerhead Reason. Here’s what they have to say about it:
Primal Audio has released ACID – an analog-modeled low-pass filter Rack Extension, based on the characteristic diode ladder filter design from the vintage Roland TB-303 synthesizer. ACID extends the original filter with an envelope follower, resulting in a versatile unit capable of many types of effects, from gentle overdrive and adding some bite to samples to… Read More Acid Diode Ladder Filter Rack Extension Based On TB-303
K-Devices has introduced Terra – a polyphonic Max For Live synth, incorporating frequency modulation, phase distortion, ring modulation and wave shaping. Terra’s three wavetable oscillators can be switched between four analogue-style wave shapes – Sine, Triangle, Saw and Square – and the spiky Pulsar wave, then mangled, morphed and amplified using the Phase Distortion, Bend and… Read More K-Devices Intros Terra Polyphonic Synthesizer For Ableton Live
Skrock Music has introduced Orbis Wavetable Synthesizer, a Propellerhead Reason Rack Extension. Orbis features 4 oscillators, each with a selection of 14 wavetables. Here’s a video preview:
Primal Audio has released PMS-20 Analog HP/LP Filter, an analog-modeled filter Rack Extension. PMS-20 has many uses; from crunching up beats, adding some bite to samples, or giving vocals an edge to hoovering sweeps, making synth leads growl, or demolishing whole tracks.