Steve Reich’s ‘Radio Rewrite’ Inspired By Radiohead

steve-reich-radio-rewriteNonesuch Records has released a new album by electroacoustic pioneer Steve Reich, Radio Rewrite.

The title piece references two songs by the English band Radiohead. Alan Pierson conducts this premiere recording of Radio Rewrite, which was composed in 2012.

The album also includes recordings of Electric Counterpoint (1987) and Piano Counterpoint, which is a 2011 transcription by Vincent Corver of Reich’s 1973 Six Pianos. The works are performed, respectively, by Radiohead’s guitarist, Jonny Greenwood, and pianist Vicky Chow, who is a member of the Bang on a Can All-Stars. Continue reading

Steve Reich Discusses His Influences

In preparation for the 2012 Bloc Festival, organizers interviewed the headliners, including pioneering electroacoustic and classical composer Steve Reich.

Reich talks about the relationship between West African and Balinese music and his early tape loop music. He goes on to discuss how this affected his early works.

Reich’s work has been tremendously influential in electronic music, and is echoed in works by Tangerine Dream, Mike Oldfield, The Orb and many others.

Radiohead Does SNL, Has Great Taste In Synths

Sunday Synth Jam: Anybody else catch the Radiohead performance on SNL, last night?

Both of their performances made interesting use of a Moog Minimoog Voyager, Dave Smith Instruments Prophet ’08, guitar pedal effects on Thom Yorke’s vocals and more.

Radiohead – Paranoid Android On Mario Paint Composer

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RadioheadParanoid Android on Mario Paint Composer w/lyrics.

So you can sing along to the 8-bit glory of Radiohead.

via adolfobaez:

Radiohead is one of my favorite bands and this is their best song IMO,

This song is from the album Ok Computer, it´s considered by many one of the best rock albums of all time.

This is the most difficult song I´ve made using Mario Paint Composer but because of the hype that I´ll see Radiohead live on March I decided to make it.

I slightly modified some chords in the middle part to make them sound better with the original MPC soundfont and I left out 15 seconds of the end because that part just didn´t sound right with the MPC instruments, oh and I also made the song a little bit faster, more like when they play it live.