This video demonstrates recreating the classic Walter/Wendy Carlos synth sounds of A Clockwork Orange, with Propellerhead Reason’s Subtractor software synthesizer.

via seeyouintheeighties:

here is my attempt at remaking the MOOG sound from the clockwork orange film, in reason 3 with a subtractor synth, its basically arco strings through phaser fx unit and a little chorus… comment and let me know if i got it right

Lavalamp as MIDI controller…

via hotchk155:

6 voltage-dividing pairs of light dependent resistors arranged round a standard lavalamp and read by analog inputs of Muduino (arduino clone) to generate semi-random streams of MIDI continuous controller messagesMIDI controllers then mapped to various controls in Propellerheads Reason.. just to see what happens really… Result is rather addictive and hypnotic… turn up the speakers, watch the lamp, turn into a zombie

This video demonstrates using Propellerhead’s ReCycle software to create your own REX loops.

via muzicali:

Propellerhead Reason: High Priest from Anti Pop Consortium talks about using Reason in his production work.

We also get a glimpse of the programming behind the song Capricorn One from the new album Fluorescent Black.

Note: It’s pretty laid back until about 5 minutes in.

Music: Capricorn One, from Fluorescent Black (Big Dada 2009)

via PropellerheadSW

This three-part Propellerhead Reason 4 tutorial looks at using Thor as a switchable filter.

via SirSedricMusic:

This is a quick look at using the Thor Polysonic Synthesizer as a Switchable Filter in Reason 4, using Combinator assignments.

To save time, I’m assuming you already know a thing or two about Reason;

1) You know how to create Combinators and assign Reason controls to hardware controls.

2) You know how to route devices within a Combinator.

3) You have a general understanding of the principles which drive Reason.

If you don’t know any of these things, do some searching. There are many great tutorials out there, and with a little patience you’re sure to find some to get you started. Try the PropellerheadsSW channel, they have some decent stuff to get you started.

In this particular tutorial I’m using a ReDrum as the audio source for simplicities sake. I’m just trying to give everyone a good idea of the concept behind this so we can cover some more interesting and fun stuff in parts 2 and 3.

My apologies in advance for the noisy audio, I had to record this using my built-in mic. Future tutorials will have better audio, I promise.

LInks;
-008’s Vinyl Crates Refill (where I got the drum sounds in this video) -

http://008blog.blogspot.com/2009/06/0…

This official demo video looks at Propellerhead Record for Reason owners.

via PropellerheadSW:

A look at what Record has to offer Reason owners besides audio recording, fantastic mixing, out-of-this-world time stretch and such. We’re taking a look at sequencer enhancements, rack improvements, multi-processing and much more.

Kid Nepro

Features:

• Five ReFills:
  • Drum and Bass
  • Killer Keyboards
  • Vintage Synthesizers
  • SP1200 Library
  • Midi Mix.
• Over two gigs of new samples with thousands of amazing new sounds.
• Over 100 New Drum kits will have you creating killer beats in no time.
• Hundreds of New REX Loops with super cool beats that will jump start your tracks.
• Great Keyboards, Killer Synths and a Super Phat Mix Of Samples.

The Patch King Ultimate Reason ReFill is available now for $125.

In this tutorial, Adam Dorn (aka Mocean Worker) uses Propellerhead Record, along with Propellerhead Reason, to do a remix for UK soul singer Alice Russell’s song All alone.

Propellerhead Record is a new audio recording application for Mac and Windows that is designed to match the simplicity and reliability of Reason.

via PropellerheadSW

This tutorial looks at vocoding with Propellerhead Reason and Record.

via PropellerheadSW:

In this tutorial, we will learn how to hook up Reason’s vocoder to Record for use with a live audio input (aka robot singing). We’ll also learn how to put a vocoder on an existing audio recording.

This is a demo of a multitouch MIDI control surface for Propellerhead Reason.

via visheshl:

multitouch table mtmini configured to be used as multitouch midi control surface with reason.

thanks to seth sandler for the awesome tutorial to build the mtmini.

visit www.sethsandler.com and nuigroup.com if u want to build one for yourself.

also thanks to mr greg kullum for the surface-editor application.

how it works?

its a simple box which has a webcam inside,the camera tracks the fingers touching the surface, an application called ‘community core vision’ picks up the images and transforms them into tuio signals, not the surface editor application takes these as input and moves whichever control is touched. and then sends out the assigned midi message.
which is picked up by reason…and voila…a multitouch control surface.

my template can control
nn19,nnxt,subrtactor,thor,maelstrom— mod envelopes,amp envelopes,filters,level,pan etc. redrum levels,pan,and u can play drums on the surface.

im putting in more functions into it.
let me know if u need the reason-controlsurface file for surface-editor.

This video offers a tour of the various Soundpacks that Percussa has put together for use with the AudioCubes.

Part 2 below.

Click here to view the embedded video.

via Percussa:

In the second of our online Percussa tutorials we take a look at the various Soundpacks Percussa has put together to help you get started with your cubing experience. We look at some of the audio samples included and the custom designed FX racks to find out what ways we can use these with the Cubes.

This official Propellerhead video takes s visit to the studio, where Cobra Starship is finishing their third album, Hot Mess (out now on Fueled by Ramen).

Propellerhead Reason was in heavy use in the production of the album.

In this video, Gabe Saporta and Ryland Blackinton offer an introduction to Reason for the beginner.

This video demonstrates how to make the distorted bass that French producers Justice use in many of their songs.

via luckydatevideos:

The song I remade was Phantom Part II check out http://www.djluckydate.com for more!

Sunday Synth Jam:  In this video, German gangsta beatmaker NoKiEone is “kicking a Gangster HipHop Beat on Reason 4.0.”

German gangsta style, boyz!

via DjJanVanDeRoy

TB-303 & Reason 4.0 – Using Reason to Generate DIN Sync

Using classic synth gear with music software has never been easier. This video demos synchronizing a Roland TB-303 with Propellerhead Reason by using CV/Pulse signals routed through a MOTU 896HD interface.

Clock and Control Signals are generated in Reason Devices and converted to audio signals. The audio is then passed through a converter cable that connects to any Roland DIN-Sync device like the 303, 606, 808, 909, etc.

via PeffTV

Before we get into the meat and potatoes of this post, it’s worth noting that:

• Controlled By Reason sounds like an unauthorized biography of Leonord Nimoy; and
• Mark Of The Unicorn is a great name for a music technology company, if it’s the 1980’s and you play a lot of D&D; and
• Behind every classic Sequential Circuits synth, there’s a guy in a wizard cap.

All that being neither here nor there – this video captures Peff using the Reason/Thor MIDI to CV conversion process with a couple of bad Moogerfoogers:

The MF-107 FreqBox oscillator output is connected directly into the MF-101 Low pass filter. Thor’s key note value, mod wheel, pitch bend, aftertouch, LFO, and envelope generators all modulate the two pedals to create a functional monophonic synthesizer.

See Peff.com for details.

via PeffTV:

http://www.peff.com/journal/2009/06/17/moogerfooger-synth-via-reason-40/ moogerfooger MF-107 FreqBox and MF-101 LP Filter controlled by Reason to create a monophonic moogerfooger synthesizer. The Thor Polysonic synthesizer converts MIDI and Reason CV signals into DC signals like MOTU Volta, and using a MOTU 896HD interface, the control signals are routed to the moogerfoogers. The Thor programming matrix allows the signals to be scaled so that the oscillator responds to a musical scale. Also used is a MF-104Z Analog Delay.

Hardstyle Destruction Samples is a free collection of 285 audio samples for hardstyle & hardcore music production.

Download (Hotfile link of .rar archive)

via LorDBassePL:

Enjoy this Massive Crunchy Pack

This official Propellerhead demo video looks at guitar recording with the Line 6 POD and Bass POD in Propellerhead Record.

via PropellerheadSW:

In this micro tutorial we learn about the built-in guitar and bass amp and speaker emulation from Line 6.

MrShoNuff71’s guide to Reason Beat Making is a couple of years old, looking at Reason 3.0, but if you put your glasses on, learn how to read and pay close attention, you might be on your way to making hot tracks.

If not, at least it’s entertaining. Don’t miss the atonal synth jam!

Best quote: “That’s the wrong motherfuckin’ sound!” vs “Books, books, books!”

This official Propellerhead video looks at using Propellerhead Record and Reason together.

via PropellerheadSW