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Richard Devine

Articles about Richard Devine:


http://www.vimeo.com/6649393

Sunday Synth Jam: This abstronica jam captures what Richard Devine does when he’s not busy watching a lake form around his house.

The patch combines Tiction – an animated nodal music sequencer for Mac, Windows & Linux; monome; and the touch-screen JazzMutant Lemur controller.

 

http://www.vimeo.com/6658211

Richard Devine is one of the early users of Native Instruments new The Finger, a $79 keyboard-controlled performance effects processor developed with electronic music artist Tim Exile of Warp Records.

He created this glitchtronica freakout, and has this to say about The Finger:

Here is a little experiment I tried using Tim Exile’s new Finger Plug-in with Logic 9.

I was running some of my drums on a track in Logic’s Flex mode, slightly drawing in graphic tempo changes, and automating all the parameter twist knobs drastically, while programming every MIDI parameter I could assign on the piano roll editor, Doing more then my two hands could do=) Just letting it all go crazy.

Some strange interesting results indeed. =)

 

http://www.vimeo.com/5847857

Richard Devine’s “first little messy beat jam with the Monemur patch for the Lemur controlling MLR.”

Monemur is a Monome emulation for the JazzMutant Lemur.

 

http://www.vimeo.com/5943084

“Just thought I would record a patch I made this afternoon on my modular system,” explains Devine. “Bits and pieces running through the H-3000 DS/E Eventide Harmonizer.”

 

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This set of videos features Richard Devine demonstrating the techniques that he and Josh Kay used in capturing sounds for the sample kit Richard Devine – The Electronic Music Manuscript. Read more…

 

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      Translator

      something to think about

      I’ve got a mobile scanner and I listen in on conversations. Late at night, loads of couples phone each other up and watch films together. It’s a really popular pastime. I could listen to it for hours. As they’re watching their film, you can turn the TV on and watch it with them. You get the commentary simultaneously. If you listen for more than fifteen minutes, you always get something spicy. — Richard D. James

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