Robert Henke
Articles about Robert Henke:
Robert Henke On Max For Live
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Filed under: Interviews, Software Effects & Audio Processors, Software Synthesizers & Samplers
Ableton’s Robert Henke (Monolake) discusses Max For Live and his history with Max. Read more…
OSC09 day 1 – backstage chat with Robert Henke (Monolake), The Field (Axel Willner) and Sick Girls!
Day 2 and 3 features artists such as Todd Terje, The Juan Maclean, Scuba, Andreas Tilliande, Style Of Eye, Adrian Lux, Heartsrevolution, Bronnt Industries Kapital and many more.
OSC09 13TH-15TH OF AUGUST 2009.
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Filed under: Music Videos, Software Effects & Audio Processors, Software Sequencers
In this official Ableton video, Robert Henke explains the details of Live’s awesome Beat Repeat effect.
He does a great job of explaining what all the parameters do.
Are you using Beat Repeat?
via AbletonInc
This video captures one performance of Atom – which features a matrix of 64 gas balloons, lights, and sound by Christopher Bauder & Robert Henke (aka Monolake).
A room is filled with deep, evolving noises from a four-channel sound system. An eight-by-eight array of white, self-illuminated spheres floats in space like the atoms of a complex molecule.
Through variable positioning and illumination of each atom, a dynamic display sculpture comes into being, composed of physical objects, patterns of light, and synchronous rhythmic and textural sonic events. Change, sound, and movement converge into a larger form.
The height of the helium balloons is adjusted with a computer-controlled cable, whilst the internal illumination is accomplished using dimmable super-bright LEDs, creating a pixel in a warped 8×8 spatial matrix.
The sonic events, the patterns of light, and the movement of the balloons are manipulated in real time as a 45-60 minute-long performance.
Robert Henke, aka Monolake, is offering a unreleased track at his site, Decay, as a free download from his site.
This track is from June 2006. I found it on a backup drive whilst searching for something else.
When I made it, I soon felt something is missing, it sounded old and nostalgic too me, a dead end, a film watched way too often. Now, i feel even more distant to it.
During the last two years my musical interest moved away from anything that could be labeled ‘minimal techno’, a genre that became totally empty, uninspired and formalized. A straight bassdrum beat does not make me dance anymore.
Enjoy it as nice background. I tested it for washing dishes, sorting invoices and watering flowers. It worked quite well.
via the very nice disquiet ambient electronica blog.
