Tom Holkenborg, aka Junkie XL, has more gear than a synth museum. But instead of gathering dust, his gear gets a workout, as part of the sound of his scores to films like Deadpool, Mad Max: Fury Road & Distance Between Dreams. … Read More Junkie XL On The Oberheim Matrix-6R
Spitfire Audio has introduced Spitfire Symphony Orchestra – a set of pro-level tools for creating virtual orchestrations for TV, film, games and radio.… Read More Spitfire Symphony Orchestra Offers Pro-Level Tools For Virtual Orchestration
Steinberg has released Dorico, their new music notation application, tailored to the needs of composers, arrangers, engravers, copyists and educators.… Read More Steinberg Intros Dorico, ‘The New Standard In Scoring Software’
Icelandic composer Jóhann Jóhannsson has been selected to compose the score to the upcoming sequel to Blade Runner.… Read More Blade Runner Sequel To Be Scored By Jóhann Jóhannsson
Moog Music shared this profile of Academy Award-winning composer and synthesist Atticus Ross (“The Social Network”, “Gone Girl”) and his latest score, for the documentary Almost Holy.… Read More Atticus Ross On The Role Of Music And Sound In Film
In this official Korg video, American film director, screenwriter, producer, editor and composer John Carpenter talks of scoring low budget student films, composing influences and his album, Lost Themes.
Steinberg has announced Dorico – a new app that’s described as a ‘next-generation professional scoring software for composers, arrangers, engravers, copyists and educators’. It’s named after Valerio Dorico, one of the most important music printers in 16th-century Rome. Here’s what they have to say about it:
The latest episode of the SoundWorks Collection sound profiles features composer Jason Graves, discussing his unique approach to scoring Far Cry Primal.