Here’s an excerpt from Geoff Elliot’s tribute documentary about the classic film Forbidden Planet. Continue reading
The Music & Sound Effects Of Forbidden Planet
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Tag Archives: sound effects
Glitchmachines Intros Biomorph ‘Alien Sci-Fi’ Sound Effects Library
Biomorph is a new sample library, by sound designer Ivo Ivanov, that features sound effects with an alien sci-fi aesthetic.
The Zombie Apocalypse Sound Effects Library, ‘Behind The Screams’
This video takes an entertaining behind the scenes look at the making of the Blastwave FX Zombie Apocalypse Sound Effects Library. The library features 666 Zombie Apocalypse themed sound effects, and is scheduled to be released on Halloween 2012.
via Designing Sound
Twisted Tools Releases Transform
Twisted Tools has released Transform – a new sample collection that provides a variety of sound effects for both sound design and music production
Transform is an extensive collection of field recordings, sound effects and designed sounds developed by sound designer Jean-Edouard Miclot (a.k.a. JEDSOUND).
Transform features over 1.6 Gigabytes of 24-bit/96khz audio, all meticulously embedded with Soundminer enriched metadata and processed using a plethora of sound design tools, such as Symbolic Sound?s Kyma.
Transform comes with sampler presets for the EXS24MKII, Kontakt, Battery, Maschine and Reaktor, as well as the all new MP16c sampler for Reaktor (full app). The library also includes MP16c templates for Maschine, Kore and TouchOSC for the iPad, as well as bonus material by Richard Devine.
Twisted Tools transform is priced at $69 and is available now.
Tron Sound Design With The Fairlight CMI
This vintage video takes a contemporary look at the sound design of Tron and the fantastic capabilities of the then-new Fairlight CMI.
via jhanalog
60 Years Of The Wilhelm Scream
This is a bit off topic – but this video compiles 60 years of the use of the “Wilhelm Scream’ - a popular stock scream that has been used in countless films, tv shows, and video games.
It’s sort of the Amen Break of cinema.
It was recorded in 1951 for Distant Drums, but has become a bit of a sound editor’s inside joke, finding infamy when sound magician Ben Burtt snuck it into the films he was working on, especially Star Wars and Indiana Jones.
via Cinexcellence